Tag Archives: Lenz Winery

Viniculture in LI, Part III: The Lenz Winery

A statement on the Lenz Winery Website by Sam McCullough, its vineyard manager:

At Lenz, our philosophy in the vineyard is high-touch.  We are interventionists and we intervene, at great cost in time and effort, to micro-manage each vine to ripeness each year.  Leaf removal, shoot thinning, cluster thinning, crop reduction, triple catch wires, super-attentive pest and fungus control (our ‘open canopy’ approach keeps fungus problems to a minimum), all combine to add cost (unfortunately) but to ensure fully ripe grapes of the highest quality.

Lenz, 36 years, 2Established in 1978, the winery has three vineyard plots with a total acreage of about 70 acres planted to nine different vinifera grape varieties: Chardonnay, Gewürztraminer, Merlot, Cabernet Sauvignon, Cabernet Franc, Malbec, Petit Verdot, Pinot Gris, and Pinot Noir.  Of these, the principal red variety is Merlot and the principal white is Chardonnay.  Bearing in mind that the original Lenz vineyard is over thirty years old and came under new ownership only in 1988, when Peter and Deborah Carroll purchased it from the original owners, Patricia and Peter Lenz, the original vines of Chardonnay and Merlot are among the oldest on the island.

Sam is an affable, direct, and very knowledgeable farmer, with a degree in horticulture and with long experience in the business of growing wine grapes.  He is not shy about saying that though the Lenz vineyards are farmed as sustainably as possible, when there is a need for using conventional farming methods he’ll not hesitate to employ them.  The reason is simple:  there is too wide an array of fungal and other pests to rely entirely on biodegradable or organic means of control.  With respect to herbicides, he prefers to use what he calls pre-emergent controls so that stronger ones are not needed later in the event of an outbreak.  The same is true of the fungicides he uses:  low-impact controls for prevention, but will not hesitate to use copper and sulfur when infections do break out.  It is because of this that he makes no claim to running a sustainable-farming operation, but is rather a conventionally-farmed property that tries to be ecologically low-impact where possible.

In other words, Sam is not taking Lenz down the organic road due to cost and practicality.  Speaking frankly about Shinn Estate’s achievement in bring in its first organic harvest of grapes, he takes a wait-and-see attitude with regards to being able to achieve similar results three years in a row—which is necessary for organic certification.  He feels that the weather last season was especially favorable for organic viticulture.  It may not work so well this year if the weather turns too harsh.  On the hand, Sam feels that some Biodynamic® applications may actually work insofar as even the very small quantities of compost tea that are used (about 50 gallons per acre) may enhance the development of healthy biota on the vines and help them better resist pests and other infections.  He’s not persuaded that cow horns or astronomical events such as the soltices are at all important, and that the applications would work anyway.  As he put it:

I am not opposed to organic viticulture or biodynamics.  I am indeed skeptical that it is possible to consistently succeed at producing vinifera grapes in our climate without the use of synthetic chemicals and I am in no position to try it.  I do not disdain or ridicule those making the effort.  I wish them success.

I do believe, and strongly, that it is quite possible to use conventional agricultural methods responsibly and safely: safe for the environment, the farmer, farm workers and the consumers of our crops.

I believe conventional farming to be safe and economical.  Without conventional farming, the 2% of our nation’s population who are involved in agriculture could not feed the country with production to spare.  Those who wish to use alternative methods that avoid the use of synthetic pesticides and fertilizers are free to do so and I wish them success.  The popular hysteria so easily incited by the mention of pesticides and food is unfounded.  However, those who wish to consume naturally-produced foods and can afford to do so constitute a lucrative market.

Thus, to the extent possible Lenz employs “green” practices in the vineyard, such as the use of self-seeded cover crops between rows so that there is considerable variety in the flora and fauna of the soil.  These, of course, are a natural habitat for insects that are predators of many vineyard pests such as aphids.  The crops also include plants that return nitrogen to the soil, encourage earthworms to propagate, and generally keep the soil healthy.  Nevertheless, while he prefers to use pre-emergent herbicides to control pest plants, he will use Roundup to control weeds within the vine rows proper when necessary, as he considers it to be highly efficacious and of low environmental impact if used sparingly.  So too with pesticides—he uses Danitol, a wide-spectrum insecticide/miticide that is essentially a synergized pyrethrin that is especially effective with grape pests such as the glassy-winged sharpshooter, the grape berry moth, and others, but will also use Stylet oil, which is biodegradable, as well.

Sam tries to use dry farming for the three vineyard plots and therefore has no irrigation lines permanently threaded into the rows of vines as is the case at some of the other wineries (not that those irrigate at times other than drought either).  He finds that if there is a need to irrigate, it’s easy enough to bring the irrigation lines into the vine rows as needed, Furthermore, he explains that given the problems with permanently-installed irrigation lines, such as leaks, breakage, blocking of the lines, and so on, he really doesn’t think that it’s worth the expense, especially since irrigation is only needed once in every three to four seasons, when there is drought.  So too with machine-harvesting vs. hand-picking the grapes.  Rather than use a large and expensive machine such as that employed by a few other wineries, Lenz removes the grapes with a tractor-towed harvester.  He notes that hand-picking clean grapes can cost around $100 a ton; hand-selecting while picking grapes can elevate the cost to about $200.  By using a towed harvester with an attached selection table and a man or two to pick out the detritus—leaves, stems, bad grapes, insects—he can keep costs low and still have the advantage of selected grapes.

Actually, some varieties are better off being hand-picked, due in part to the thinness of the skins, and that is the case for the Lenz Old Vine Cabernet Sauvignon.  These are, after all, 36-year-old vines, which are able to produce more concentrated, flavorful fruit than can young vines, though they are rather shy bearers.

Sam works closely with Eric Fry, the winemaker who has been at Lenz for 25 years. When Sam first came to Lenz in 1990 the two “butted heads” at the beginning, but they now have a very effective relationship. It is, after all, for the winemaker to decide when the crop is ready to harvest, and both men agree that the kind of ripeness that they are looking for in the fruit can only be tasted, not just measured for sugar levels with a densitometer or looking at phenolic ripeness. It must taste just right to be harvested—this is experience, not science, at work in this instance.

Because they collaborate closely on the timing of the harvest, which includes deciding which parcels and which varieties to pick first—at optimum ripeness to the taste of the winemaker, ultimately, the estate grapes are ready to be made into wine not only for Lenz, but for several clients that do not have their own vineyards or winemaking facilities. These clients (not all of them in Long Island), buy their grapes from parcels set aside for them by Lenz and are then made into wine by Eric according to their style specifications. He also works closely with several local vineyards to help make their fruit into wine at the Lenz facilities.

Lenz Winery, Eric Fry 2Eric, by the way, is a really gifted winemaker and highly respected by his peers. Some refer to him as a kind of genius. He wears his gray hair in a pony tail and has something of the Hippie about him still. He is actually a very gentle person, very direct, strongly opinionated, self-assured, and generous with his time and readiness to help others. For Lenz, Eric’s practice is to make its best wines to be capable of aging, and he refers to himself as an “acid head”—not referring to LSD but to high acidity levels in the wine. In other words, he encourages it in the wines he makes. It is acidity, after all, that helps give wine structure and longevity. For Eric, that means holding on to the wine for a few years before releasing it. Most wineries don’t hold on to their wines any longer than is absolutely necessary once they’re bottled. It costs money to store it and it means that money is tied up until the wine

So, for example, when Eric works with clients, some of whom have collaborated with him for years, he tries to get them to take his advice. He feels that wine should be held for at least two years before being released to market, but not all of his clients see things his way—at least not at first.

He explains that “I actually have custom clients that I bottle for, that I make wine [for] here. We’re bottling the wine, and they’ll stand there and at the end of the bottling run, they’ll take cases off and throw them on the market, and I’m going, ‘Your call, I wouldn’t do that!’”

Over time, many of his collaborators come around to his way of thinking, or as he puts it, speaking of some of them: “Old Field is into my rhythm, Whisper’s into my rhythm, Harmony, they’re into my rhythm. This is a new client that we’ve just taken on, and I’m still trying to teach him my rhythm, to teach him my way of doing things, and so he had several wines that he was out of stock, and he was calling me up every day going ‘Oh, I need it, I need it.’ And I go like, ‘That means you didn’t plan ahead.’

“At the beginning he bristled and he got all upset and he was like, ‘You’re not cooperating with me.’ And I’m going, ‘I’ll do what you want, but if you want good wine, you should do what I want.’ So he’s coming around, he’s beginning to understand the concept, because I bottled a red wine for him and he wanted to release it right away and I said ‘It’s your wine, you can do whatever you want.’ And he goes and takes a sample and he goes ‘This doesn’t taste like it was before we bottled it.’ I’m going, ‘Well, hello? It needs some bottle age.’ And he’s going, ‘Oh, OK.’”

When he makes a Chardonnay, be sure that the wine is not just made from the Chardonnay grape, pressed, fermented in steel, and bottled—a simple, straightforward, and possibly excellent wine. That’s not Eric’s way. He seeks complexity, and a Chard may be, as he says, 5 % of the wine may be “keg fermented” in 15-year-old barrels, with perhaps a little M-L (malo-lactic) to add more character, but not so much that it makes the wine buttery, as a full M-L may do to a Chard. It imparts more complexity, but in the background. You can’t taste the oak, you can’t discern the M-L, but you can tell that the wine is complex.

But let’s talk about yeast. Eric is a “control-freak,” which means that he’s not someone who uses wild or indigenous yeast in his fermentation. He prefers to buy yeast that has been specifically modified for a particular set of characteristics. For example, for the Chardonnay just mentioned, he used EC1118, a workhorse yeast that brings out fruit flavors. In fact, as he explains, “I’ve been experimenting with yeasts for thirty years. Right after harvest, you go through and taste the barrels or taste the kegs; it’s like ‘Holy cow, this one tastes like this and this one tastes like this, and they’re so different and it’s amazing the yeast affect whatever like that.’ Six months later, you can’t tell them apart.”

He went on to say, “With different wines I use different yeasts on purpose and get different characters on purpose, but most of all the concept that I have is, if whatever yeast you’re using or whatever you’re doing, if the fermentation sticks you’re screwed. So what I do is I use yeasts that are dependable, that will not screw up, because if they screw up, everything’s out the window. All the wonderful nuances you’re looking for, they’re gone.

“The yeast does have a function and does make different flavors, but it’s overrated, it’s not a large factor.”

Eric is also something of a provocateur, so he asked me what I thought about the concept of terroir. I said that I considered the idea of terroir—as conceived by the French—to be something real and that affected the wine made from grapes grown in a particular place. To which he replied, “Terroir is BS, strictly a marketing gimmick. It’s all about marketing.” He then offered me a glass of wine of which he was very proud: the first botrytised dessert wine made at Lenz in the twenty-three years that he’d been winemaker there. Usually botrytis only produced gray rot, something to be avoided and which needed to be controlled with fungicide, but last year the conditions were unique, and the botrytis that settled on the Chardonnay grapes appeared when the grapes were very ripe, the early-morning humidity would burn off as warming sun rose in the East, and violà, a rich and delicious botrytised dessert wine at 73° Brix. When I pointed out that this happened in most years in the Sauternes region of Bordeaux, which surely was an expression of terroir, Eric was dismissive, “Well, whatever.”   Provocative, indeed. With respect to organic viticulture Eric feels, again, that it is mostly a matter of marketing rather than making a better wine.

Sam was a bit more philosophical about the matter of terroir, suggesting that its influence may be exaggerated but that it shouldn’t be entirely dismissed out of hand. And, after all, I would like to point out, it is what is done in the vineyard by human intervention, whether by using one kind of trellising over another, say single vs. double Guyot, or vertical shoot positioning or something else, how often the vines are green-harvested or not at all, the use of sustainable practices such as crop cover or biodegradable pesticides, and even the use of a recycling tunnel sprayer for pesticide agents, that are all part of terroir. This, of course, is a broad definition of the term; the traditional definition is more narrow and confines itself to geographical/geological/climatological issues of soil, climate, slope, drainage, aspect to the sun, etc.

Thus, both Lenz wines and the client wines benefit from the careful, practical, and highly professional care that is given to the grapes in the fields from which they are made. Then there is the thoughtful care that the wines get in the winery itself. These are crafted wines, not “natural” ones. The result can be tasted and Lenz wines have often been compared—favorably—to great European wines; for instance, the Lenz 2005 Old Vines Chardonnay held its own to a Domaine Leflaive 2005 Puligny-Montrachet “Les Folatieres,” while a Lenz 2002 Old Vines Cabernet Sauvignon tied with a 2002 Château Latour at a blind tasting held at the great Manhattan restaurant Le Bernardin in April 2011. These comparative tastings have been held every year since 1996 and always pit Lenz wines against French equivalents—not California ones, for the Lenz style is closer to that of France than the West Coast. The Lenz Website has a list of these blind tastings and the results.

I can attest to this personally with a blind tasting that I conducted with friends in 2012, comparing a 2007 Meursault-Charmes 1er Cru with a 2007 Lenz Old Vines Chardonnay–they all guessed that the Lenz was the Burgundy wine.

And to think that such results come from a Long Island vineyard . . .

Lenz logo38355 Route NY 25, Peconic, NY 11958    631.734.6010

office@lenzwine.com
Lenz Winery home page
Based on interviews with Sam McCullough & Eric Fry at the Lenz Winery in April 2011 and September 2014

For further reading, Fry and his wines were written about by Eileen Duffy in her book, Behind the Bottle (Cider Mill Press, 2015). Profiles on Sam McCullough and Eric Fry by John Ross can be found in his book, The Story of North Fork Wine: Historical Profiles and Wine Country Recipes (Maple Hill Press, 2009).  Jane Taylor Starwood, former editor-in-chief of Long Island Wine Press, featured Lenz Winery in Long Island Wine Country: Award-Winning Vineyards of the North Fork (Three Forks, 2009). Philip Palmedo and Edward Beltrami discussed Lenz in The Wines of Long Island (Amereon House, 2000).

Viniculture in LI, Part II: background.

In exploring vinicultural practices in Long Island, I intend to particularly examine the practice of sustainable farming, which includes organic and Biodynamic® agriculture.  My original, first posting on 15 June 2010, Can 100% Organic Grapes be Grown in Long Island?, provoked some interesting and even useful responses.  I have since renamed it The Challenge of Growing Certified Organic Grapes in Long Island,  given the developments at Shinn Estate and The Farrm that have taken place since that 2010 posting.  The series now continues with this posting (now updated to April 2015 to include new developments and information, particularly with the Long Island Sustainable Winegrowing [LISW] program established in 2012). 

This Part II post serves as an introduction to the Part III articles devoted to the individual vineyards and wineries of Long Island.

NY Wine Regions Map 1To put things in perspective, one should bear in mind that New York State is the 3rd-largest producer of grapes by volume in the United States, after California and Washington.  Admittedly, most NY vineyards grow table grapes, but as of 2014 there were, according to the NY Wine & Grape Foundation (NYWGF), 373 wineries in the State, of which of which one in six are in Long Island.  Of all the wine regions of the State, Long Island is the one that is most committed to growing Vitis vinifera varieties, with very little planting of French-American hybrid vines and no Native American grapes at all.

I want to point out some factors that I believe appertain to most of the vineyards that I’ll be writing about—which is to say, all of the ones in Long Island, of which there are sixty-six bonded wineries, all but a handful of which are on the North Fork, as well as seven vineyards that sell their fruit to others.  They comprise, by my own calculation, about 2,565 acres of planted vines (the NYGWF calculates 2,041 acres.)

Geology & Soils

Geologically, Long Island is extensively formed by two glacial moraine spines, with a large, sandy outwash plain extending south to the Atlantic Ocean.  These moraines consist largely of gravel and loose rock that would become part of the island’s soils during the two most recent extensions of Wisconsin glaciation during the Ice Age some 21,000 years ago (19,000 BCE).  The northern, or Harbor Hill, moraine, directly runs along the North Shore of Long Island at points.  The more southerly moraine, called the Ronkonkoma moraine, forms the “backbone” of Long Island; it runs primarily through the very center of Long Island.  The land to the south of the Ronkonkoma, running to the South Shore, is the outwash plain of the last glacier. When the glaciers melted and receded northward around 11,000 BCE, their moraines and outwash produced the differences between the North Shore and the South Shore soils and beaches.

A General Soil Map (below), devised by the USDA Soil Conservation Service and the Cornell University Agricultural Experiment Station in 1972, shows the different kinds of soils that dominate the East End of Suffolk County, the part of Long Island that is home to most of the vineyards there.

East End, General Soil Map

The soil associations (or types) for Suffolk County as listed in the General Soil Map (and relevant to viniculture) are as follows:

  1. “Carver-Plymouth-Riverhead association [N. shore of the North Fork, extending across the Fork at Mattituck and then running East along the S. shore of Great Peconic Bay to Southold]:  Deep, rolling, excessively drained and well-drained, coarse-textured and moderately coarse-textured soils on moraines
  2. “Haven-Riverhead association [running from Brookhaven along the southern edge of 1 (above).  With an interruption at Mattituck, then extending as far as Orient Point; this is the dominant soil of the North Fork]:  Deep, nearly level to gently sloping, well-drained, medium-textured and moderately coarse-textured soils on outwash plains
  3. “Plymouth-Carver association [runs across the middle of the West-East axis of the county, encompassing Riverhead just south of 2.  It then extends into the Hamptons or South Fork as far as East Hampton but at no point touches the south shore.]  rolling and hilly:  Deep, excessively-drained, coarse-textured soils on moraines [the Ronkonkoma Moraine].
  4. “Bridgehampton-Haven association [actually runs immediately adjacent to, and south of, 3.]: Deep, nearly level to gently sloping, well-drained to moderately well-drained, medium-textured soils on outwash plains”

“Textures refer to surface layer in major soils of each association.”  [A caveat regarding the use of the map says,] “The map is . . . meant for general planning rather than a basis for decisions on the use of specific tracts.”

(There are ten soil types shown on the map, but we list only the four that form part of the terroir of the vineyards of the East End.)

With respect to the soil types in the North Fork and Hamptons AVAs, Louisa Thomas Hargrave wrote an article, “The Dirt Below Our Feet,” in the Spring 2011 issue of Edible East End, in which she made some important observations:

Every discussion of a wine region’s quality begins with the soil.  Going back to ancient Roman times, around ad 50, Lucius Columella advised, in his treatise on viticulture, De Re Rustica (“On Agriculture”), “Before you plant a piece of ground with vines, you should examine what sort of flavor it has; for it will give the wine a similar taste. The flavor can be ascertained…if you soak the earth in water and taste the water when the earth has [g]one to the bottom.  Sandy soil under which there is sweet moisture is the most suitable for vines…any soil which is split during the summer is useless for vines and trees.”

The “useless” soil that splits is clay, a colloidal suspension of particles similar to Jell-O. Clay retains too much moisture when it rains, making the tender roots of wine grapevines rot; it withholds nutrients from the vine when the weather is dry.

There is little clay on the East End of Long Island, except in specific and easily identified veins. We have remarkably uniform sandy soils here that vary in available topsoil (loamy organic matter), but all contain the same fundamental yet complex mixture of minerals.  These soils are ranked by the U.S. Soils Conservation Service as “1-1,” the most auspicious rating for agriculture. Any single handful of Long Island soil will show the reflective glint of mica; the dull gray of granite; the mellow pink, salmon and white of quartz; the red and ochre of sandstone; and black bits of volcanic matter. To describe them simply as “sandy loam” fails to acknowledge the profound effect that having this mixture of minerals must have on the vibrancy and dynamic quality of Long Island’s wines.

Richard Olsen-Harbich, the author of the two AVA applications for the Hamptons and the North Fork, published a two-part series on the soils of Long Island for Bedell Cellars, where he is winemaker:  the first, The Soil of Long Island. Part 1 – Ice Age: The Meltdown, published on April 12, 2011, and the second, more recent piece, The Soil of Long Island. Part 2 – There’s No Place Like Loam, published Sept. 6, 2013, which are useful and lucid explanations of how the glaciers of the Ice Age left Long Island with the soils that grow the vines today.

It should also be pointed out that Long Island soil, regardless of its composition, tends to have a rather low pH, which is to say too acidic for Vitis vinifera vines to grow well as it weakens the vines’ ability to assimilate nutrients from the soil.  The vines need the addition of lime to balance the pH and is something that nearly every vineyard must do to get itself established for vinifera.  It can take years—Paumanok Vineyards was adding lime to its vineyards every year for twenty years before it was able to relax the practice.  It nevertheless has to be done again every few years when the pH gets too low again, as it appears that the added lime may get leached out of the soil over time.

Climate

Overall, Long Island displays a cool maritime climate.  The brutal summer heat seen in the Iberian Peninsula, which is at the same latitude, is tempered in the Hamptons AVA by the Labrador Current which moves up the eastern Atlantic Ocean.  Summer temperatures are also moderated by Little Peconic Bay to its north.  The North Fork enjoys the moderating influences of Long Island Sound.  These same bodies of water help to temper the effects of the Canadian air masses that move in during the winter.  The influence of these waters helps prevent late spring frosts which can kill young grape buds.  The cumulative effect is a lengthening of the growing season to approximately 210-220 days.  Wine-grape varieties can thrive here, as they can grow better and ripen further than just about anywhere in the U.S. outside of California.  The North Fork is such a narrow band of farmland, situated between the bay and the sound that virtually all of the vineyards or near or on the water.  According to the Appellation American Website:

Despite being next door to each other, there are notable differences between the South Fork and the warmer North Fork. The South Fork is more exposed to onshore Atlantic breezes, delaying bud-break by as much as three weeks. Even after bud-break, the area is frequently foggy, keeping early season temperatures and sunshine hours lower than on the North Fork. By the end of the growing season, the seemingly subtle weather differences between the Forks add up to quite different overall climates. The Hamptons are generally very cold to moderately cool, while the North Fork is moderately cool to relatively warm. The damper silt and loam soils of The Hamptons, along with climactic differences, create a unique style, with wines from The Hamptons generally being more restrained and less fruit-forward than wines from the North Fork.

Wineries & Vineyards

By my own count, as of March 2015, there are a total of 76 wine production entities in Long Island, of which:

  • 21 are wineries with vineyards, though they may also buy fruit from others
  • 3 are wineries without vineyards that buy their fruit from growers
  • 11 are wine producers that have neither a winery nor a vineyard, but outsource their production, having their wine made to their specifications from purchased grapes
  • 33 are vineyards without a winery, but use an outside facility to make wine to their specifications  from their grapes
  • 1 is a crush facility that makes wine from fruit, provided by others, to the providers’ specifications
  • 7 are vineyards that sell their fruit to wine producers
  • In all, there are 58 tasting rooms in Long Island

Vinicultural Practices

Regardless of the different terroirs of either Fork, the first point that I’d like to make is that, based on my visits, so far–to Wölffer Estate and Channing Daughters in the Hamptons AVA, and to Bedell Cellars, Castello Borghese, Diliberty, Gramercy, Jamesport, Lieb, Lenz, Macari, Martha Clara, McCalls, Mudd Vineyard, The Old Field Vineyards, Osprey’s Dominion, Palmer, Paumanok, Peconic Bay, Raphael, Kontakosta Winery, Sherwood House, and Shinn Estate in the North Fork AVA–the standards of vineyard management are of a very high order.  The neatness of the rows of vines, their careful pruning and training (most, if not all, are using Double Cordon trained on two wires with Vertical Shoot Positioning, or VSP, and cane pruning), the use of cover crops between rows, and much else besides, attest to the high standards and sustainable practices to which the vineyard managers aspire. 

A handful of vineyards are endeavoring to farm organically and/or Biodynamically, though only a single vineyard, Shinn Estate, is actually working to obtain actual certification for both.  Then there is The Farrm, in Calverton, run by fruit and vegetable grower Rex Farr, who obtained full organic certification in 1990 and planted vinifera vines in 2005–thus harvesting the first certified-organic grapes on LI in 2012.  It is expected that the first wine to be made from its fruit will be produced in 2013 by a newly-established winery on the North Fork.  None of this is to say that a vineyard that does not seek to grow organic or Biodynamic grapes is the lesser for it, though all should seek to farm sustainably.  Excellent, even great wines have been and shall continue to be produced whether farmed organically or not.  Indeed, as I pointed out at the beginning of my first post, there is no proven correlation of quality of a wine because it is made with organic or Biodynamic grapes.  (A case in point is the famous and incredibly expensive wine of the Domaine de la Romanée Conti, in Burgundy.  It has been long acknowledged as the source of some of the greatest red and white wines of all of France, and this was the case before it was converted to Biodynamic farming, and continues to be the case today.)  Part of what makes it so difficult to quantify the quality of a wine made by either method is that fact that there is vintage variation every year, due primarily to factors of weather and climate.  Thus, there is no objective way of being sure that viticultural practice was the dominant reason for the quality of a particular vintage, rather than the weather of a particular season.  Nevertheless, those who practice organic/Biodynamic viniculture do aver that it is reflected in the wine and there are consumers who do think that they can detect the difference.

By now virtually all of the vineyards on the two forks are attempting some form of sustainable farming, though the kind of sustainable work can vary considerably across the gamut of over sixty vineyards.   Along these lines, an important development took place when a new accreditation authority was created in May 2012:  Long Island Sustainable Winegrowing, Inc., with the intent of setting out the guidelines for sustainable viticultural practices for all wineries in the region.  Membership is voluntary, but already, as of April 2015, there are sixteen vineyards that have joined, with thirteen already certified and three in transition.  Others are giving membership serious consideration.  A post devoted to the LI Sustainable Winegrowing authority was published on this blog in April 2012 (since updated as of 21 June 2013).

Another important factor to keep in mind is the role of clone selection for the vineyards.  A very useful article about the significance of clones was posted by Richard Olsen-Harbich of Bedell Cellars on March 19, 2013:  Revenge of the Clones.  The piece is well worth reading in its entirety, but there are two salient paragraphs that are worth quoting:

Over the past 10 years, grapevine clones have shown themselves to be of increasing importance in our vineyards. Simply put, clones are a genetic variant of a particular variety. The Chardonnay grown on Long Island decades ago is not the same vine we have today. Plantings since that time – especially in the past 10-15 years, have benefited from a wider selection of available plant material. Back in 1990, if you wanted to plant Chardonnay, you had one choice. Today there are more than 70 registered clones of this noble white grape being grown throughout the world and they all have their particular nuances and characteristics. Many of these clones are already in existence in Long Island vineyards – from the tropical and aromatic Musqué to the classic and alluring Dijon clones from Burgundy. Although these are all Chardonnays, each exhibits their own distinctive character.

This fact is also true of grapes like Merlot and Cabernet Franc, where profound differences in wine quality can be seen between clones grown in the same vineyard, on the same soils. Over 50 clones of Merlot have been identified in Bordeaux. Pomerol alone has over 35 clones of Cabernet Franc. Newer French clones, long kept overseas as tightly held trade secrets, are finding their way into the United States. In most cases these new clones are better suited to our maritime climate. Often these clones will ripen earlier than the older selections we used to have. Some are more resistant to disease. The ultimate result is higher quality wines. I’ve seen clones so different from each other that you would think the wines were made from another variety entirely.

In other words, when the first vinifera vines were planted in the 70s and 80s most of the clones came from California.  Many of these clones had been developed at the University of California at Davis (UCD) but of course were created with California vineyards in mind.  This meant that the clones were less suitable for the very different, maritime climate of Long Island.  For example, the Sauvignon Blanc clone 1 (the ‘Wente clone’) was very vigorous and produced large clusters but it was also very susceptible to rot in LI.  Only in the 90s were new clones planted to replace clone 1, and all of these came not from California but France (primarily from Bordeaux, in the case of the Sauvignon Blanc.)  This process was true for several other varieties.  In other words, the new clones are part of what makes Long Island the most ‘European’ of the wine-growing regions of the United States.

As a matter of fact, the Long Island Wine Region, which includes both the North Fork and the Hamptons AVAs, in 2010 became signatory to the Declaration to Protect Wine Place and Origin that was first enacted in 2005 in Napa (it is also known as the Napa Declaration on Place).  The original signers included not only the Napa AVA but also Washington and Oregon State AVAs, and Champagne, Jerez/Sherry, and Oporto/Port in the EU, among others. (The point of this, of course, is to control the use of place names and prevent the misuse of the name ‘Champagne’ for example, on any sparkling wine that is not from there.  Chablis, Port, and Burgundy were also place names that were widely abused around the world.)

There is no intention whatsoever in my series to judge a vineyard because it does or does not grow or intend to grow organically or Biodynamically.  (Indeed, wineries that are technically organic can still choose not to be certified.  Among the many reasons for this, for example, are that a winery may not want the added costs and the bureaucracy entailed in registering, or a winery may disagree with the government standards.  Whatever the case, such wineries are not allowed to use the term organic on their labels.)

In any event, the point of this series is to understand the reasons for choosing a particular approach to grape production over another.  We want to understand why Long Island vineyards do what they do before we go on to explore their methods of vinification, for between what is done in the vineyard and what happens in the winery is what determines the quality of the wine that is produced.  The wines from Long Island have long been improving since those first, tentative years going back to 1973 (when the Hargraves planted the first vinifera vines in LI) and in recent years are receiving their due recognition in the form of positive reviews, awards, and high scores for individual bottlings.

Important Terms Defined

  • AVA or American Viticultural Area: An area defined by a unique geology and climate that is distinctive from other vine-growing areas and hence that produces wines of a distinctive overall character.  There are none of the restrictions as to varieties planted, vine density, allowable harvest per acre, or any of the other limitations that exist in European appellations, such as the French Appellation d’Origine Contrôlée (AOC).  Long Island has three AVAs, all applied for to the TTB (Alcohol and Tobacco Tax and Trade Bureau) which administers the program, in the mid-1980s: The Hamptons (South Fork), the North Fork AVA, and the Long Island AVA.
  • Biodynamic®, or Demeter USA, certification; also, Demeter USA, FAQ, Biodynamic wine (PDF file).  Also, see an excellent discussion in a 5-part series beginning with New York Cork Report, Biodynamics, Part I, by Tom Mansell, along with the ensuing debate in the comments that follow each of the postings.  There is also a controversial series against Biodynamics by Stuart Smith, a winemaker in California, called Biodynamics is a Hoax, a polemic that is worth reading, along with the comments in response.
  • Bordeaux Mix:  A widely-used type of fungicide that mixes copper sulfate and lime, first used in Bordeaux in the 1880s; see Univ. of Calif., Davis, Pesticide notes
  • Compost Tea:  A type of natural compost mixed with water for distribution in liquid form (it may be seen as agricultural homeopathy); see National Sustainable Agriculture Information Service, Compost Tea Notes
  • Copper Sulfate:  A widely-used industrial pesticide, allowed in both organic and Biodynamic farming within specified limits: see  Cornell Extension Toxicology Network (ExToxNet), Pesticide Information Profile, copper sulfate
  • Cover crops: Vegetation that is either deliberately planted between vineyard rows (e.g., clover, to replenish nitrogen in the soil) or weeds that are naturally allowed to grow between and into rows (the Biodynamic approach); see UC Davis, Cover Crop Selection and Management for Vineyards
  • Integrated Pest Management (IPM):  A major component of sustainable agriculture, it is labor-intensive but effectively reduces the need for certain kinds of pesticides; pheronome ties are a typical method of disrupting the reproduction cycle of some insect; see EPA, Factsheet on IPM
  • Macroclimate:  The climate of a large area or region, such as that of all of Long Island, or perhaps just the East End of LI.
  • Mesoclimate:  The distinct climate of a smaller area, such as that of a single vineyard or a parcel thereof.
  • Microclimate:  The climate of a very small area; it could be as small as a single vine or a distinctive climate of a tiny part of a vineyard, such as a depression in a row of vines.  (NOTE:  These terms are often used interchangeably, but most often microclimate may be used to refer to the mesoclimate of a vineyard.)
  • Organic Certification:  USDA, National Organic Program, Organic Certification
  • Regalia:  A biologically-based pesticide; see Marrone Bio-Innovations, Products, Regalia
  • Serenade: A biologically-based pesticide; see PAN Pesticide Database, Products–Serenade
  • Stylet oil:  defined in the industry as a Technical Grade White Mineral Oil, it is used as a biodegradable fungicide and insecticide in integrated pest management programs.  It also serves as as a substitute for sulfur, reducing or eliminating the need for that application, according to Steve Mudd, a LI vineyard owner and consultant.
  • Sustainable agriculture:  according to Mary V. Gold, on the USDA Website, “Some terms defy definition. ‘Sustainable agriculture’ has become one of them. In such a quickly changing world, can anything be sustainable? What do we want to sustain? How can we implement such a nebulous goal? . . . If nothing else, the term ‘sustainable agriculture’ has provided talking points, a sense of direction, and an urgency, that has sparked much excitement and innovative thinking in the agricultural world.”  Follow this interesting, full explanation of the term at USDA, Sustainable Agriculture definition.  Another excellent source for information about sustainable agriculture is to be found on the NY State VineBalance Program website, which is dedicated to sustainable practices in NY State vineyards, and as mentioned above, the Long Island Sustainable Winegrowing certification program, with sixteen vineyards already committed to its regulations and guidelines.
  • Variety vs. Varietal:  not to be pedantic (though I can be), Variety is the term applied to a particular kind of vine and its grape; e.g., Cabernet Franc or Riesling; Varietal is the wine made from a variety or a blend of different varieties.  The terms are often used interchangeably but shouldn’t be.
  • Vertical Shoot Positioning:  is a training system used with single or double Guyot, cane-pruned training, or with a Cordon, spur-pruned system.  VSP is very common in cool and/or humid climate regions with low to moderate vigorous growth, as it encourages better air flow through the vine.  This is accomplished by making all the shoots grow vertically, with no vegetative vine growth allowed below the cordon/cane.  The increase in air flow helps prevent problems associated with disease and also allows the fruit to dry out more quickly after it rains.

      Both cluster thinning and harvesting are generally made easier using VSP, given that there is better access to the fruit.  The objective is to train the shoots so as to create a narrow layer that provides good sunlight exposure and air flow in the fruiting zone of the canopy.  Each shoot is thus trained to grow vertically by attaching it to movable catch wires.  The shoot’s length can easily be controlled by pruning any growth above the top catch wire.  The fruiting zone is generally kept at waist height, which makes it more convenient for the vineyard workers, given that the vineyard rows are worked throughout the season.)

For a full explanation of VSP, see Cornell Univ. Agriculture Extension, Training, and Trellising Vinifera Vines.

Viticulture vs. Viniculture:  again my pedantic side will out–Viticulture is the general term for the growing of any kind of grape vine, whether intended for the table or for wine; Viniculture refers to the raising of wine grapes in particular.

_________________________

The vineyards that I intend to write about are listed below in alphabetical order (those wineries that have no vineyard but purchase their grapes from others will not be part of the vinicultural survey– these are shown in gray; the ones that have already had articles posted on this blog are shown in purple; those that have been ‘indirectly interviewed’ are shown in light purple.  If the vineyard has been certified by the Long Island Sustainable Winegrowing Group (LISW), that is indicated:

  • Ackerly Ponds, North Fork AVA (85 acres) is now part of Sannino’s Bella Vita Vineyards (which see)
  • Anthony Nappa (no vineyard) posted 6/14
  • Baiting Hollow Farm Vineyard, North Fork AVA (11 acres)
  • Bedell Cellars, North Fork AVA (78 acres, LISW sustainable-certified); Rich Olsen-Harbich interviewed on May 12, 2011; posted June 2, 2011
  • Bouké Wines (no vineyard)
  • Castello di Borghese Vineyard & Winery [formerly Hargrave Vineyard], North Fork AVA (85 acres); Giovanni & Allegra Borghese interviewed on Nov. 18, 2014 and Mar. 27, 2015, to be posted
  • Channing Daughters Winery, Hamptons AVA (25 acres, LISW sustainable-certified); Larry Perrine interviewed on April 30 & May 21, 2012; posted January 22, 2013
  • Clovis Point, North Fork AVA (20 acres); see Bill Ackerman interview
  • Coffee Pot Cellars (no vineyard)
  • Corey Creek Vineyards, North Fork AVA (30 acres, LISW sustainable-certified), owned by Bedell Cellars; posted June 2, 2011
  • Corwith Vineyards, Hamptons AVA (3 acres; LISW sustainable-certified); Dave Corwith interviewed May 20, 2014 and Nov. 16, 2015; posted Oct. 15, 2014, updated Nov. 19, 2015.
  • Croteaux Vineyards, North Fork AVA (10.5 acres); see Steve Mudd interview
  • Deseo de Michael, North Fork AVA (.3 acres)
  • Diliberto Winery, North Fork AVA (4 acres); Sal Diliberto interviewed Mar. 28, 2015, to be posted
  • Duck Walk Vineyards, Hamptons AVA, and Duck Walk Vineyards North, North Fork AVA (130 acres; LISW candidate); Ed Lovaas, winemaker, on Nov. 16, 2015.  to be posted.
  • Gramercy Vineyards, North Fork AVA (3.5 acres); Carol Sullivan, owner, interviewed October 2, 2012; posted; as of June 2015 the vineyard is leased out; no longer making wine
  • The Grapes of Roth (no vineyard)
  • Harbes Family Farm & Vineyard, North Fork AVA (5 acres, LISW sustainable-certified)
  • Harmony Vineyards, LI AVA (7 acres); see Steve Mudd interview
  • Influence Wines (no vineyard); Erik Bilka interviewed 6/15; to be posted
  • Jamesport Vineyards, North Fork AVA (60 acres); Ron Goerler, Jr. interviewed on April 14, 2014; posted Sept. 9, 2014.
  • Jason’s Vineyard, North Fork AVA (20 acres)
  • Kings Mile, North Fork AVA (leased vineyard); Rob Hansult interviewed on Sept. 26, 2013; posted same day
  • Kontokosta Winery (23 acres, LISW sustainable-in transition); Michael K. interviewed Nov. 18, 2014, Gilles Martin interviewed Mar. 28, 2015; to be posted
  • Laurel Lake Vineyards, North Fork AVA (21 acres); Juan Sepúlveda interviewed Sep. 26, 2015
  • Lenz Winery, North Fork AVA (65 acres); Sam McCullough interviewed April 20 & 27, 2011; posted May 16, 2011; Eric Fry interviewed Mar. 27, 2015, to be added to original Lenz post
  • Leo Family Wines; John Leo interviewed for PWG on October 3, 2012; posted February 11, 2013
  • Lieb Family Cellars, North Fork AVA (50 acres, LISW sustainable-in transition); Logan Kingston, Sarah Kane, & Jildo Vázquez interviewed June 6, 2013; posted October 4, 2013
  • Loughlin Vineyards, Long Island AVA (6 acres)
  • Macari Vineyards & Winery, North Fork AVA (200 acres); Joe Macari, Jr. interviewed July 9, 2009 & June 17 2010; posted June 30, 2010
  • Martha Clara Vineyards, North Fork AVA  (101 acres, LISW sustainable-certified); Jim Thompson & Juan Micieli-Diaz interviewed Feb. 3 & March 27, 2012; posted May 3, 2012
  • Mattebella Vineyards, North Fork AVA (22 acres, LISW sustainable-in transition)
  • McCall Vineyards, North Fork AVA (22 acres); see Steve Mudd interview
  • Mudd Vineyards, North Fork AVA (50 acres, LISW sustainable-certified); Steve Mudd interviewed; posted September 18, 2012
  • The Old Field Vineyards, North Fork AVA (12 acres); Ros & Christian Baiz & Perry Weiss interviewed on May 12, 2011; posted on June 7, 2011
  • Onabay Vineyard, North Fork AVA (180 acres total, not all with vines): see Bill Ackerman interview
  • One Woman Vineyards, North Fork AVA (12 acres, LISW sustainable-certified)
  • Osprey’s Dominion Vineyards, North Fork AVA (90 acres); Adam Suprenant interviewed April 23 & May 8, 2012; posted February 3, 2013
  • Palmer Vineyards, North Fork AVA (100 acres, LISW sustainable-certified); Miguel Martín interviewed October 12 & 22, 2010; posted November 13, 2010
  • Paumanok Vineyards, North Fork AVA (72 acres planted, LISW sustanble-certified); Kareem Massoud interviewed May 3, 2011; posted May 23, 2011
  • Peconic Bay Winery, North Fork AVA (58 acres); Jim Silver & Charles Hargrave interviewed; posted May 9, 2011;  winery is now closed but see interviews with Steve Mudd & Bill Ackerman, since Peconic Bay’s vineyards have been turned over to Lieb Cellars as of January 2013
  • Pellegrini Vineyards, North Fork AVA (72 acres); see Steve Mudd interview
  • Pindar Vineyards, North Fork AVA (500 acres; LISW candidate); Pindar Damianos interviewed Sept. 26, Ed Lovaas on Nov. 16, 2015.  to be posted.
  • Pugliese Vineyards, North Fork AVA (45 acres); Pat Pugliese interviewed Jan. 19, 2015
  • Raphael, North Fork AVA (55 acres, LISW sustainable-certified); Leslie Howard & Steve Mudd interviewed May 21 & June 13; posted September 17, 2012; Anthony Nappa interviewed
  • Roanoke Vineyards, North Fork AVA (10 acres, LISW sustainable-certified); interviewed Richard Pisacano, owner; posted July 10, 2013
  • Sannino’s Bella Vita Vineyard (5.25 acres, LISW sustainable-certified); interviewed Jan. 30, 2015; to be posted
  • Sherwood House Vineyards, North Fork AVA (36 acres); interviewed Bill Ackerman on September 26, 2012; posted
  • Shinn Estate Vineyard, North Fork AVA (20 acres, LISW sustainable-certified); Barbara Shinn & David Paige interviewed June 18, 2010; posted July 12, 2010
  • Southold Farm+Cellar, North Fork AVA (9 acres; as of Sept. 2014 just entering production); Regan Meador interviewed Jan. 30 & Nov. 16, 2015; to be posted
  • Sparkling Pointe (29 acres, LISW sustainable-certified)
  • Suhru Wines (no vineyard); Russell Hearn, owner, interviewed for PWG on October 3, 2012
  • Surrey Lane Vineyards, North Fork AVA (25 acres, LISW sustainable-in transition); see Steve Mudd interview
  • T’Jara Vineyard, North Fork AVA (14 acres); Russell Hearn , owner, interviewed for PWG
  • Vineyard 48, North Fork AVA (28 acres planted)
  • Waters Crest Winery (no vineyard); interviewed Nov. 17, 2014, to be posted
  • Whisper Vineyards, Long Island AVA (17 acres); interviewed Steve Gallagher on Mar. 27, 2015, to be posted.
  • Wölffer Estate, Hamptons AVA (174 acres, LISW sustainable-certified); interviewed Roman Roth & Rich Pisacano on April 30, 2012 & June 20, 2013, updated and posted on July 10, 2013

Three very useful links that serve as portals to most of these vineyards are 1) Long Island Wine Country which lists only those wineries and vineyards that are members of the LI Wine Council; 2) Uncork New York! (aka the New York Wine and Grape Foundation) which provides links to all wineries and wine vineyards in New York State.  Also indispensable for New York State wines is the New York Cork Report by Lenn Thompson, with its many interviews, coverage of wine tastings, reviews, and more.

A framable 24 by 36-inch map of the wineries and vineyards of the East End of Long Island, by Steve De Long, can be purchased on Amazon:

LI Wine Map

 

2013 Assessment of Long Island Winery Websites

As of July 2016, despite a much-needed reassessment, as so many of the sites have been significantly updated and improved, I have had no time to do a full re-evaluation.  My book, The Wines of Long Island, 3rd edition, has just been turned in to my publisher, SUNY Press. After  a period of decompression, I shall revisit all the Websites and update this post.

In an article published in Wines & Vines, “What Visitors Want from Wine Sites” (June 2011), Kent Benson explained what information he thought serious visitors to wine sites (specifically winery and vineyard ones) should provide.  I thought that his ideas were worth serious consideration and decided to try and apply those criteria to the websites of the region that I am most familiar with:  Long Island.  Benson’s original article is accessible at Wines & Vines 6/11.

The Criteria

In order to assess the quality of the Long Island winery/vineyard websites, I have chosen to evaluate them on the basis of both the historical and technical information that they provide.  Below is my adaptation (mostly a reorganization) of Kent Bensons’ wish list for wine websites:

  1. Identify type of operation up front:  Winery &/or Vineyard &/or Tasting Room
  2. History: frank and honest, including founder, subsequent owners and corporate owners: (don’t pretend you’re a “family” winery when you’re not)
  3. Winemaker, vineyard manager, and owner: names, pictures and bios
    1. Technical information (viniculture)
      1. Vineyard information:  acreage, vine density, vinicultural practices, yields, maps
      2. Wine grape source locations, soil types, vine ages
      3. List of all grape varieties in the vineyard with acreage
      4. Vintage report
      5. Technical information (vinification)
        1. Forthright, step-by-step, detailed description of the winemaking process: (tell all); e.g., details of aging regimen:  proportion aged in wood, proportions of French & American oak, proportions of new, one-year, two-year, etc., oak alternatives employed

        b.   Technical data: degrees Brix at harvest, actual ABV, TA, pH, RS, dry extract, disgorgement date: (for sparkling wine) [this set data is for wine geeks; most others may not care]

        1. Estimated drinkability range from vintage date
        2. Purchase information (Online/Wine Club)
          1. Available current releases and at least two previous vintages
          2. Pairing and serving temperature suggestions
          3. Bottle and label shots: (keep them current, show front & back labels)
          4. Pictures of estate or controlled vineyards and of winery

    In addition, I would like to see Winery websites that are easy to navigate and do not require that a visitor need dig for information or other data.  All features should be easily accessible, which means that navigation options should not be embedded more than a level or two down from the main menu or home page.Blogs are very nice to have and can be extremely informative: Bedell Cellars, Channing Daughters, and Shinn Estate have particularly useful ones.  However, they are not scored for this assessment, as most sites have no blogs.

    Events and event calendars are an essential part of nearly any retail winery, but these are not scored individually in the assessments that follow, as they are mostly about entertainment and social matters, and information on winegrowing and winemaking is our real concern.

  4. Consequently, I have also added a new criterion, for ‘general’ features.  These are scored by the number of features listed above that appear on the Website, thus 10 ‘yes’ answers (features present) is complete. If a feature is not applicable (n/a) the score is not reduced.  Furthermore, if a newsletter is available, I score the newsletter for quality of its information—if no newsletter is offered, it is not scored.

    About the Assessments

    NOTE:  The assessments on the following pages are based on my version of Benson’s wish list.  They are my own, and therefore subjective.  Poor scores may sometimes reflect a deliberate desire on the part of the winery not to provide the kind of information that is being looked for here, possibly due to the time and cost of including it on the Web.  In no case do these scores reflect on the wines offered on these sites.

    The purpose of this assessment is both informational for visitors and, hopefully, a prod to the web designers and the site owners to add or improve features, if possible.  Naturally, many of the wineries are very small and may not have the wherewithal to spend money on a better website than they already have.  Some don’t appear to have the means to keep their sites up-to-date, or at least certain features such as blogs, which are time-consuming to maintain.  It would be helpful if all sites provided a ‘last time updated’ on their home pages.

    It shall be updated from time-to-time as enough changes to the websites so warrant. Assigning scores to the websites

    Listed alphabetically, the assessments of the websites carry no imputations regarding a winery’s products.  Major features are graded on a scale of 1 to 5:

    1 = inadequate/little or no information
    2 = fair/some information, albeit cursory
    3 = adequate/basic relevant information, but lacking depth
    4 = very good/most relevant information
    5 = excellent/all relevant information
    n/a = not applicable (e.g., no viniculture information because no vineyard)

    The highest score possible for a website is 5.0 points out of 5. Nominally, the lowest score should be 1.0 point out of 5, but there is one site that has a blog about money and dogs and nothing about wine—an aberration, to be sure, but listed nevertheless for the sake of completeness.

    The Sixty-two Websites (as of 11 June 2013)

NOTE:  In May 2012 there were fifty-five Websites that were evaluated.  As of July 2016 there are over seventy sites to be assessed.

Anthony Nappa Wines / Winemakers Studio: (3.9 out of 5)

  • Vineyard: No; no grape source info either
  • Winery: No (uses Raphael facilities)
  • Winemaker: Anthony Nappa
  • Tasting Room: The Winemaker Studio, Peconic (see Web assessment below)
  • History / background: (4/5) Very good
  • About / Biographies: (5/5) Excellent bios on both sites
  • Vineyard / viniculture information: (n/a)
  • Winemaker’s notes / wine description: (3/5) No notes, but adequate descriptions with food pairing suggestions on both sites
  • Technical wine data: No
  • Purchase online: (3/5) No; brief descriptions of wines, but purchase can only be made by phone at Winemakers Studio; there is also a resellers listing
  • Wine Club: Anthony Nappa: No; The Winemaker Studio: Yes, but the membership form must be printed and mailed in—a tad inconvenient.
  • Contact: phone, snail mail, or e-mail for both Nappa & the Studio
  • Directions: Yes, for Winemaker Studio, with map
  • News/reviews link: Yes, and up to date.
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: n/a
  • Photo gallery: No
  • Website design: (4/5) Elegant, easy to navigate, but link to The Winemaker Studio takes you to a very different style and layout (see assessment below)
  • General feature set:  5 out of 10 (2.5/5)
  • Additional features: Resellers option; link to Anthony Nappa Wine’s Facebook page.
  • Up-to-date: Nappa: Mostly, but there is no mention of Anthony’s hire by Raphael to be its winemaker; Studio: OK.

Anthony Nappa Wines

Comment:  Two linked websites, one for Anthony Nappa Wines, another for the tasting room at The Winemaker Studio; information about the vineyards that source the grapes would be very welcome (and so interesting to the geeks among us).

NOTE: The Winemaker Studio features and sells wines by Anthony Nappa, Roman Roth (Grapes of Roth), Russell Hearn (Suhru Wines & T’Jara Vineyards), Erik Bilka (Influence Wines), John Leo (Leo Family Wines), and Adam Suprenant (Coffeepot Wines)

Baiting Hollow Farm Vineyards: (3.6 out of 5)

  • Vineyard: Yes
  • Winery: No (PWG)
  • Winemaker:  Tom Drozd using PWG facilities
  • Tasting Room: Yes
  • History / background: (4/5) Personal, family focused
  • About / Biographies: (4/5) Personal, no staff biographies
  • Vineyard /viniculture information: (3/5) Succinct, no maps, no mention of terroir; focus on sustainability, but few specifics
  • Winemaker’s notes / wine description: (4/5) very good, but not all wines are fully commented
  • Technical wine data: No
  • Purchase online: (3/5) Many choices, brief descriptions, food pairing suggestions; gift baskets
  • Wine Club: Yes
  • Contact:  e-mail & phone
  • Directions: Yes, with map
  • News/reviews link: No
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes; focus on Rock & Roll and Bluegrass performances; weddings
  • Tours: Virtual (online)
  • Photo gallery: Yes, and video of horses and games as well
  • Website design: (4/5) Attractive if a bit busy-looking, with many options
  • General feature set:  7 of 10 (3.5/5)
  • Additional features: Virtual tour, rescue-horse farm & pony rides, corporate ideas, entertainment schedule
  • Up-to-date: Yes

Baiting Hollow Farm Vineyard

Comment:  Greeted by a picture of a child with a horse, one knows immediately that this is a family-oriented; the vineyard and its wines itself needs more attention.  The BHFV Horse Rescue operation, by the way, a 501 (c) (3) non-profit corporation, devoted to the rescue of horses.

Bedell Cellars: (5.0 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  •  Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Richard Harbich-Olsen
  • Tasting Room: Yes
  • History / background: (5/5) Excellent account of sustainability & its practice
  • About / Biographies: (5/5) Excellent, full biographies of all staff
  • Vineyard / viniculture information: (5/5) Excellent, full description and parcel maps, discussion of  terroir, sustainable practices (member of Long Island Sustainable Winegrowers [henceforth LISW])
  • Winemaker’s notes / wine description: (5/5) Excellent, complete notes: (PDFs)
  • Technical wine data: Yes, in PDFs
  • Purchase online: (5/5) Very good descriptions, many choices, including sets
  • Wine Club: Yes
  • Contact:  e-mail, phone & fax
  • Directions: Yes, with map
  • News/reviews link: Yes, many links to reviews in NYT
  • Newsletter / Mailing List: (5/5) Yes, by far the most informative and interesting newsletter of all, with keen and thoughtful observations about wine, viniculture, terroir, and so on.  Issued from time to time.
  • Wine Blog: Yes, highly informative with both wit and humor.
  • Events / calendar: Yes
  • Tours: Yes, by prior arrangement
  • Photo gallery: Yes, and video as well
  • Website design / usability: (5/5) Excellent, elegant design (by Cro2), art is featured
  • General feature set:  10 of 10 (5/5)
  • Additional features: Excellent explanation of sustainable farming; art gallery; various wedding options
  • Up-to-date: Yes

Bedell Cellars

Comment:  An elegant site, easy to navigate, many useful options, thoughtful design, exceptionally informative and complete. A plausible standard for winery websites with respect to the content that they could provide.  Elegant design helps too, of course.  The newsletter is a model as well—every issue is worth reading (though they do come out irregularly).

Bouké Wines: (4.2 4.6 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: No; purchases fruit from N. Fork & Finger Lakes vineyards
  • Winery: No (PWG)
  • Winemaker: No; Gilles Martin, consultant
  • Tasting Room: Tasting Room, Peconic
  • History / background: (5/5) Full & complete, well-organized
  • About / Biographies: (5/5) Excellent bios
  • Vineyard / viniculture information: (n/a)
  • Winemaker’s notes / wine description: (5/5) Excellent, good technical info, PDFs
  • Technical wine data: Yes
  • Purchase online: (5/5) Good, brief descriptions, but dig down for full wine notes
  • Wine Club: No
  • Contact:  e-mail & phone
  • Directions: No
  • News/reviews link: Yes, including a list of awards
  • Newsletter / Mailing List: Yes
  • Wine Blog: Yes, via a small icon at the bottom of the page
  • Events / calendar: No
  • Tours: n/a
  • Photo gallery: No
  • Website design: (5/5) Attractive, clean design, unusual navigation in places
  • General feature set:  4 of 10 (2/5)
  • Additional features: Links to responsible drinking sites (AIM & Century); Jazz recommended listening; boutique for wine accessories; the blog is really just a series of links; blogroll is a set of links to blogs by others
  • Up-to-date: Yes

Bouké Wines

Comment:  Attractive and easy to use, it reflects well on the products offered; much improved design  with excellent navigation; it could mention the vineyards sourcing the grapes; the list of NYC retailers selling the wines is confined to Brooklyn.

Brooklyn Oenology (3.7 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: No
  • Winery: No; PWG makes the wine
  • Winemaker: Yes, Alie Shaper
  • Tasting Room: Yes, offers BOE wines and a selection of other LI and Finger Lakes wines
  • History / background: (5/5) Complete
  • About / Biographies: (1/5) None
  • Vineyard/viniculture information: (n/a)
  • Winemaker’s notes / wine description: (5/5) Succinct but complete and clearly presented
  • Technical wine data: Spotty
  • Purchase online: (4/5) Yes, now BOE’s own online system
  •  Wine Club: Yes
  • Contact: Yes
  • Directions: Yes
  • News/reviews link: Eventually
  • Newsletter / Mailing List: Yes
  • Wine Blog: Yes, but the last post was in Sept. 2012
  • Events / calendar: Yes; but no functional links to some events that could use them
  • Tours: n/a
  • Photo gallery: Mostly of the artist labels; art an emphasis of site
  • Website design: (4/5) Slick, sophisticated, but home page is rather busy in consequence
  • General feature set:  6 of 10 (3/5)
  • Additional features: Artists’ labels a focus
  • Up-to-date: Yes

Brooklyn Oenology

Comment: Site functions like a work in progress; the wine links don’t work properly if you select, for example, White Wines, as it takes you to an empty page.  You must select a particular white wine, but it means that making comparisons a bit more difficult.

Brooklyn Winery (4.2 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: No
  • Winery: Yes
  • Winemaker: Yes; Conor McCormack
  • Tasting Room: Yes
  • History / background: (4/5) Complete
  • About / Biographies: (5/5) Interesting and amusing
  • Vineyard/viniculture information: (n/a)
  • Winemaker’s notes / wine description: (5/5) Complete and clearly presented
  • Technical wine data: Yes
  • Purchase online: (n/a) Online sales are apparently pending; for now, purchase at retail or at the winery
  • Wine Club: Yes
  • Contact: Yes
  • Directions: Yes
  • News/reviews link: Presently there are no complete reviews; PDFs are awkward to use
  • Newsletter / Mailing List: Yes
  • Wine Blog: Yes
  • Events / calendar: Yes; but no links to some events that could use them
  • Tours: n/a
  • Photo gallery: Mostly of the artist labels; art an emphasis of site
  • Website design: (4/5) Slick, sophisticated
  • General feature set: 8 of 10 (4/5)
  • Additional features: Artists’ labels a focus
  • Up-to-date: Yes

Brooklyn Winery

Comment: Site may still be a work in progress, given that though it shows a shopping cart and checkout, in fact online purchases cannot be made.

 Castello di Borghese: (2.2 2.6 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Erik Bilka
  • Tasting Room: Yes
  • History / background: (3/5) Adequate, but one has to read the press releases to learn that this was originally Hargrave Vineyard, the first on LI, which the Borgheses purchased in 1999.
  • About / Biographies: (3/5) ) Adequate, with emphasis on aristocratic Italian heritage, but if one digs deeply there is a press article that provides some
  • Vineyard / viniculture information: (1/5) Inadequate, with nothing about viniculture
  • Winemaker’s notes / wine description: (2/5) Adequate, praiseful adjectives
  • Technical wine data: No
  • Purchase online: (3/5) Good, but too much navigation is required
  • Wine Club: Yes
  • Contact:  by phone, snail mail, and email via info@castellodiborghese.com
  • Directions: Yes, text.
  • News/reviews link: Yes
  • Newsletter / Mailing List: (1/5) Yes; the newsletter, issued regularly, is largely confined to events at the winery and various links; there is no news about winemaking or viniculture
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: Yes, including a vineyard tour
  • Photo gallery:  Yes
  • Website design /usability: (3/5) busy-looking, keeps viewer jumping around, awkward navigation in places
  • General feature set:  8 of 10 (4/5)
  • Additional features: Olive oil for sale; local beer on offer; Tour: ‘Winemaker’s Walk’ by appointment
  • Up-to-date: Yes

Castello di Borghese

Comment: Web focus is on winery’s prestige and social events as well as its wine; no staff bios, not even of the owners, unless you find the press releases—so the info is available, albeit in a desultory way.

Channing Daughters: (4.8 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Christopher Tracy
  • Tasting Room: Yes
  • History / background: (5/5) Excellent, especially with regard to its philosophy
  • About / Biographies: (5/5) Excellent, with full biographies
  • Vineyard / viniculture information: (4/5) Excellent, lacking only parcel maps, sustainable practices (member LISW)
  • Winemaker’s notes / wine description: (5/5) Excellent: detailed and complete
  • Technical wine data: Embedded in the description/notes
  • Purchase online: (5/5) Excellent, wines are full described
  • Wine Club: Yes
  • Contact: Yes
  • Directions: Yes
  • News/reviews link:  Yes
  • Newsletter / Mailing List: No
  • Wine Blog: Yes, articles posted on East End by Christopher Tracy (not updated since 9/2011).
  • Events / calendar: Yes, but no entertainment or weddings, but rather for tasting classes.
  • Tours: No
  • Photo gallery:  Yes
  • Website design /usability: (5/5) Excellent, elegant, easy to use (by Cro2)
  • General feature set: 8 of 10 (4/5)
  • Additional features: Art gallery featuring Walter Channing’s wood sculpture
  • Up-to-date: Yes, ‘Where to buy’ option shows the wines are offered in many states and are available in some of the best restaurants in the country, including Daniel in NYC, The French Laundry in Napa, as well as eateries in Montreal and Quebec City.

Channing Daughters

Comment: Elegant and very well-designed, easy to navigate; unusual range of wines, a Website by a very serious winery

Clovis Point: (3.2 3.7 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No
  • Winemaker: Yes; John Leo at PWG
  • Tasting Room: Yes
  • History / background: (4/5) Very good
  • About / Biographies: (1/5) Just names and contact info
  • Vineyard / viniculture information: (1/5) practically none
  • Winemaker’s notes / wine description: (4/5) Very good: detailed
  • Technical wine data: Not much
  • Purchase online: (4/5) Very good, abbreviated tasting notes accompany the wine list
  • Wine Club: Yes
  • Contact:  phone, e-mail, snail mail
  • Directions: Yes, with map option
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes, for entertainment events
  • Tours: No
  • Photo gallery: Yes, of the tasting room for those interested in holding a party there
  • Website design /usability: (5/5) Excellent, easy to use (by EG Creative Group)
  • General feature set:  8 of 10 (4/5)
  • Additional features: Vintage notes for 2004-2011, by John Leo.  Book a party
  • Up-to-date: Yes; last vintage notes are for 2011, latest vintage for sale, 2011.

Clovis Point Wines

Comment: Lacks staff bio details, offers nothing about the vineyard or its vinicultural practices, but the vintage notes shine.

 Coffee Pot Cellars: (4.2 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: No, but sources are identified
  • Winery: No; uses Osprey’s Dominion facilities
  • Winemaker: Yes, Adam Suprenant
  • Tasting Room: Yes, just opened in 2013
  • History / background: (4/5) Succinct and to the point
  • About / Biographies: (4/5) part of History / background, more can be found under Press
  • Vineyard / viniculture information: (n/a) Sam McCullough supplies the fruit from his premium vineyard
  • Winemaker’s notes / wine description: (4/5) Provides the most vital information
  • Technical wine data: Some
  • Purchase online: (5/5) Easy to use, with complete descriptions available under “Read more . . .”
  • Wine Club: Yes, with 3 categories
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, to the new tasting room (as of 2013)
  • News/reviews link: Yes
  • Newsletter / Mailing List: Not yet functional
  • Wine Blog: No
  • Events / calendar: No
  • Tours: n/a
  • Photo gallery: No
  • Website design /usability: (5/5) Simple, direct, easy to use (by Janet Esquirol)
  • General feature set:  6 of 10 (3/5)
  • Additional features: No
  • Up-to-date: Yes

Coffee Pot Cellars

Comment: Straightforward website, no frills, it’s all about the wine.

Croteaux Rosé Vineyards (3.0 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No; consulting winemaker is Gilles Martin, using PWG facilities
  • Tasting Room: Yes
  • History / background: (2/5) Barely adequate
  • About / Biographies: (0/5) No information
  • Vineyard / viniculture information: (4/5) Good but brief; includes aerial photo; no mention of sustainable practices
  • Winemaker’s notes / wine description: (4/5) A very good explanation of winegrowing Rosé wines; good descriptions
  • Technical wine data: Some
  • Purchase online: (5/5) Excellent, wines are well-described for purchaser
  • Wine Club: Yes
  • Contact:  phone, e-mail, snail-mail
  • Directions: text & map
  • Photo gallery: No
  • News/reviews link: No
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar:  No
  • Tours: No
  • Photo gallery: No
  • Website design /usability: (5/5) Excellent, very clean design, but limited options
  • General feature set:  4 of 10 (2/5)
  • Additional features: Farmhouse Kitchen, a linked website, offers cooking lessons
  • Up-to-date: Yes

Croteaux Vineyards

Comment: Attractive and easy to use, but lacks Background and About info, no bios

Diliberto Winery: (2.3 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No
  • Winemaker: Sal Diliberto
  • Tasting Room: Yes
  • History / background: (4/5) Very good, on the personal side, but must read reviews by others to get most of the information
  • About / Biographies: (3/5) Good, focus on Italian background; for fuller info one needs to go to the Newsroom option and read an interview in the LI Wine Press link
  • Vineyard / viniculture information: (n/a) No info about outsourced vineyard
  • Winemaker’s notes / wine description: (2/5) Adequate
  • Technical wine data: No
  • Purchase online: (0/5) Nothing; though not indicated, wines can be purchased by e-mail or by phone or at the tasting room.
  • Wine Club: No
  • Contact: Phone, e-mail, snail-mail
  • Directions: text & Google map
  • News/reviews link: Yes
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: No
  • Photo gallery: No
  • Website design /usability: (3/5) Good, easy to use, but must “dig” for some info
  • General feature set:  4 of 10 (2/5)
  • Additional features: Weddings; tasting menu (in lieu of a wine list); winery apartment on offer
  • Up-to-date: Press info up to Jan. 2012; most recent wine listed is 2009.

Diliberto Winery

Comment: A very basic website; no online purchasing

Duckwalk Vineyards / Duckwalk North: (3.4 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes
  • Tasting Room: Yes, at both sites
  • History / background: (4/5) Very good
  • About / Biographies: (4/5) Very good, focus on Italian background
  • Vineyard / viniculture information: (2/5) Sustainable practices claimed, but little detail
  • Winemaker’s notes / wine description: (3/5) Good, but little about vinification
  • Technical wine data: No
  • Purchase online: (4/5) Good, but prices don’t show with wine choices
  • Wine Club: Yes
  • Contact: Phone, fax, e-mail, snail mail
  • Directions: No, just the address
  • News/reviews link: Not yet
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: Yes, devoted to entertainment
  • Tours: Yes, according to LI Wine Country, but it doesn’t appear to be the case according to the winery Website
  • Photo gallery: No, but a slide show of ten images includes one of goldfish (?).  A picture of a duck would make more sense for Duckwalk, one would think.
  • Website design /usability: (4/5) Very easy to use; home page is dominated by pictures of its scheduled entertainers
  • General feature set:  5 of 10 (2.5/5)
  • Additional features: About Duck Walk’s supported causes; there used to be an option to choose any of four languages other than English:  French German, Italian, and Spanish, but that appears to have been removed since the site was reviewed last year (2012)
  • Up-to-date: Yes

Duck Walk

Comment: What?  No directions on how to get there?  No newsletter?  A rather basic site, it could also use more information about viniculture, especially given the claim to sustainable practices, and more about the wines, as well.

Grapes of Roth by Wölffer Estate: (4.4 out of 5)

  • Vineyard: No; grape sources are identified—incidentally—in a review
  • Winery: No, uses Wölffer’s facilities, as he’s its winemaker
  • Winemaker: Yes, Roman Roth
  • Tasting Room:  Wölffer Estate and The Winemaker Studio, Peconic
  • History / background: (4/5) Very good
  • About / Biographies: (5/5) Excellent:  full biography, in chapters
  • Vineyard / viniculture information: (3/5) Good, about outsourced vineyard
  • Winemaker’s notes / wine description: (5/5) Excellent: detailed and complete
  • Technical wine data: Yes, very detailed and complete
  • Purchase online: (5/5) Excellent, wines are full described
  • Wine Club: Yes
  • Contact: in small print at bottom of Home page: e-mail, snail mail, and phone
  • Directions: n/a
  • News/reviews link: Yes, but it isn’t up-to-date.
  • Newsletter / Mailing List:  No
  • Wine Blog: No
  • Events / calendar: External events are listed and are up-to-date, but no calendar
  • Tours: No
  • Photo gallery: Yes, in connection with Roth’s bio in chapters
  • Website design /usability: (5/5) Elegant and straightforward design (in a glass), very easy to navigate (by ZGDG)
  • General feature set:  6 of 10 (3/5)
  • Additional features: No, but you may need to get used to the puns.
  • Up-to-date: Events, yes, but the reviews page has nothing later than 2010

The Grapes of Roth

Comment: Elegant design, if a tad idiosyncratic, very complete info about wines and Roth.

NOTE:  Now that Roth has been named a partner in Wölffer Estate, where he has been winemaker for over 20 years, Grapes of Roth will be part of the Wölffer brand.

Harbes Farm & Vineyard: (3.2 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No
  • Winemaker: Edward Harbes IV
  • Tasting Room: Yes
  • History / Background: (2/5) Adequate, focused on family & farm
  • About / Biographies: (2/5) Adequate, but no biographies
  • Vineyard / viniculture information: (3/5) Good, though brief; sustainable practices (member LISW)
  • Winemaker’s notes / wine description: (3/5) brief, offers food pairing suggestions
  • Technical wine data: No
  • Purchase online: (3/5) Easy to use, wine descriptions brief but to the point
  • Wine Club:  Yes
  • Contact: phone, fax, e-mail, snail mail
  • Directions: text and map
  • News/reviews link: No
  • Newsletter / Mailing List: Yes, but it appears not to be functional as of 5/16/12
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: Yes
  • Photo gallery: Yes
  • Website design / usability: (4/5) Newly redesigned, attractive, easy to navigate
  • General feature set:  7 of 10 (3.5/5)
  • Additional features: Other farms, Farm Market, Family fun, Maze adventures, Groups & Parties, Weddings
  • Up-to-date: Yes

Harbes Farm & Vineyard

Comment:  A wine website with a split personality:  fun & games for kids; wine for adults, even a farm market; there are three different farms, only the one in Mattituck has a vineyard

Harmony Vineyards (1.8 2.2 out of 5)

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No; uses Eric Fry of Lenz
  • Tasting Room: No
  • History / background: (1/5)
  • About / Biographies: (1/5)
  • Vineyard / Viniculture information: ( 2/5) little is said in text, but some pictures are worth a few more words
  • Winemaker’s notes / wine description: (2/5) actually, all wines are commented on by quoting reviews, but there are further notes when one goes to purchase online.
  • Technical wine data: No
  • Purchase online: (3/5) easy to use, adequate wine notes
  • Wine Club: No
  • Contact: Yes
  • Directions: address and map
  • News/reviews link: Yes
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Photo gallery: Yes
  • Website design: (3/5) Attractive and straightforward
  • General feature set:  5 of 10 (2.5/5)
  • Additional features: Art gallery (text, no images!), We Support (list of causes & charities); video of house moved to new site, accompanied by music; promotions
  • Up-to-date:  wines of the 2010 vintage are on offer

Harmony Vineyards

Comment: Very limited options, focus is on worthy causes and charities

Influence Wines (4.3 out of 5)

  • Vineyard: No
  • Winery: PWG
  • Winemaker: Eric Bilka at PWG
  • Tasting Room: No
  • History / background: (5/5)
  • About / Biographies: (5/5) Minimal
  • Vineyard / Viniculture information: (5/5) Excellent
  • Winemaker’s notes / wine description: (5/5) Excellent, very complete
  • Technical wine data: Yes
  • Purchase online: No
  • Wine Club: No
  • Contact: Yes
  • Directions: n/a
  • News/reviews link: No
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Photo gallery:  No
  • Website design: (5/5) Minimalist; though not slick or pretty, it is clean, clear, and easy to navigate
  • General feature set:  2 of 5 (1/5)
  • Additional features: None
  • Up-to-date: 2010 is last vintage mentioned

Influence Wines

Comment: Production winemaker at PWG makes but one wine:  Riesling, sourced from the Finger Lakes.  As straightforward a website as one can find

Jamesport Vineyards (4.3 4.6 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Dean Barbiar
  • Tasting Room: Yes
  • History / background: (5/5) Excellent, very thorough
  • About / Biographies: (5/5) Excellent, though the biographies could be given more flesh
  • Vineyard / viniculture information: (4/5) Good description; sustainable claims, but lacks detail
  • Winemaker’s notes / wine description (4/5) Very good, little about vinification
  • Technical wine data: No
  • Purchase online: (5/5) Excellent; labels, full wine description, easy to use
  • Wine Club / Subscription:  Yes
  • Contact: Phone/fax, e-mail, snail mail
  • Directions: Google map
  • News/reviews link: List of awards, but no links to articles or reviews
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar:  Yes
  • Tours: Yes
  • Photo gallery: A combination photo gallery  and video with musical accompaniment which provides some interesting and useful information
  • Website design: (5/5) Excellent, attractive, easy to navigate (by Cro2)
  • General feature set:  8 of 10 (4/5)
  • Additional features: Wine bottles recycling rewards program; Wholesale inquiries; Futures purchases
  • Up-to-date: Events, Retail & restaurants list needs updating

Jamesport-Vineyards

Comment:  An informative and attractive website that needs a real News/Reviews link; it supports the Southold Project in Aquaculture Training (SPAT), for sustainable fishing.

Jason’s Vineyard (2.8 out of 5)

  • Vineyard: Yes
  • Winery: No
  • Winemaker: Yes, Jason Damianos
  • Tasting Room: Yes
  • History / background: (3/5)
  • About / Biographies: (4/5)
  • Vineyard / Viniculture information: (2/5) Just adequate, but little about sustainability
  • Winemaker’s notes / wine description: (2/5) Adequate, but barely
  • Technical wine data: No
  • Purchase online: (n/a) Wines are listed and briefly described, but cannot be purchased online.
  • Wine Club: No
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes
  • News/reviews link:  No
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: TBA, according to the Website
  • Tours:  No
  • Photo gallery: Yes, but limited
  • Website design: (4/5) Pleasant design with a Greek theme, easy to navigate and use.
  • General feature set:  3 of 10 (1.5/5)
  • Additional features: No
  • Up-to-date: Yes

Jason’s Vineyard

Comment: A basic website.

 Kontokosta Winery (under construction)

Laurel Lake Vineyard: (3.0 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Juan Sepúlveda
  • Tasting Room: Yes
  • History / Background: (2/5) Very brief
  • About / Biographies: (1/5) Inadequate, no biographies
  • Vineyard / viniculture information: (3/5) Succinct
  • Winemaker’s notes / wine description: (3/5) Very good for some wines, but spotty
  • Technical wine data: No
  • Purchase online: (5/5) Excellent
  • Wine Club:  Yes
  • Contact: Phone, fax, e-mail, snail mail
  • Directions: Yes, with Google map
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: Yes
  • Photo gallery: No
  • Website design / usability: (5/5) Excellent
  • General feature set:  8 of 10 (4/5)
  • Additional features: No
  • Up-to-date: Yes for the wines, but reviews only go up to 2007.

Laurel Lake Wines

Comment: An attractive site lacking important information, including bios

Lenz Winery: (3.3 3.4 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Eric Fry
  • Tasting Room: Yes
  • History / Background / About / Biographies: (2/5) Adequate, no bios
  • About / Biographies: (1/5) Inadequate, no biographies
  • Vineyard / viniculture information: (3/5) Succinct; no parcel maps
  • Winemaker’s notes / wine description: (4/5) Complete description, no notes
  • Technical wine data: No
  • Purchase online: (5/5) Excellent
  • Wine Club:  Yes; 3-level club program
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, address and map
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes, and not just parties, but serious tastings of wines from around the world; Weddings (however, as of May 2013 the link to the events page is broken).
  • Tours: No
  • Photo gallery: Yes
  • Website design / usability: (5/5) Sophisticated, minimalist look and functionality
  • General feature set:  7 of 10 (3.5)
  • Additional features: Tours; “Petrus tasting” notes to emphasize quality by comparison to  French equivalents; prior tasting results yet to be posted; Lenz cottage stays available for wine club subscribers
  • Up-to-date: hard to tell; latest wines offered date to 2009; the latest reviews were in 2006

Lenz Winery

Comment: An attractive, useful, and interesting site lacking some basic information, including bios

Lieb Cellars / Bridge Lane Wines: (4.0 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No, uses PWG
  • Winemaker: Yes, Russell Hearn is an owner and a winemaker/owner at Premium Wine Group
  • Tasting Room: Yes, at PWG
  • History / Background (4/5) Good, found under the rubric Our Vineyard.
  • About / Biographies: (3/5) Good, limited bio about owners
  • Vineyard / viniculture information: (3/5) Good, but incidental to the overall story; no maps; sustainable practices (member LISW)
  • Winemaker’s notes / wine description: (4/5) Very good; inconsistent from wine to wine
  • Technical wine data:  Though indicated as available, trying to open the wine spec sheets and tasting note PDFs produces a “Error 404 Page not found.”
  • Purchase online: (5/5) Excellent
  • Wine Club:  Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, from different directions and a map to boot
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: No
  • Photo gallery: No
  • Website design / usability: (5/5) Excellent and very attractively designed.
  • General feature set:  6 of 10 (3/5)
  • Additional features: Featured restaurants that offer Lieb Cellars wine, particularly a link to Craft Restaurant, given that Lieb makes a sparkling wine for Craft’s private label as well as a link for Lieb’s Summer Rosé for Park Ave. Restaurant’s private label.  (Both restaurants are in NYC.)
  • Up-to-date: Yes

Lieb Cellars

Comment:  An attractive and largely well-designed site that is mostly easy to get around; though there are two separate labels—Lieb Cellars and Bridge Lane, the distinction between them is not made clear.  The inability for users of opening the wine tasting notes and spec sheets is frustrating; apart from the error message, clicking on the Continue button simply takes one back to the wines page—in other words, a circular routing.

Macari Vineyards: (4.0 4.4 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Kelly Urbanik, also Helmut Gangl, consultant
  • Tasting Room: Yes
  • History / background: (4/5) Sufficient history & background
  • About / Biographies: (5/5) Excellent, especially on the backgrounds of the winemakers
  • Vineyard / viniculture information 4/5: Useful information about vinicultural practices; no parcel maps
  • Winemaker’s notes / wine description 4/5: Professionally-written descriptions, no notes
  • Technical wine data: No
  • Purchase online: (4/5) Easy to use
  • Wine Club:  Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Addresses with maps
  • News/reviews link: Yes, including many recent reviews for 2013
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: Virtual (online), tells much of the story of the winery and vineyards
  • Photo gallery: Yes
  • Website design: (5/5) Very attractive and easy to navigate
  • General feature set: 9 of 10 (4.5/5)
  • Additional features:  Weddings, Private parties
  • Up-to-date: Yes, includes 2012 wines on offer and up-to-date reviews

Macari Wines

Comment: The virtual tour that I so highly recommended in 2012 is, alas, no more.

Martha Clara Vineyards (3.5 3.9 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No, uses Premium Wine Group
  • Winemaker: Yes, Juan Micieli-Martinez uses  PWG
  • Tasting Room: Yes
  • History / background: (3/5) Brief, focuses on family
  •  About / Biographies: (5/5) Full bios of owners & winemaker/manager
  • Vineyard / viniculture information: (1/5) Virtually no information, but uses sustainable practices (member LISW)
  • Winemaker’s notes / wine description (5/5) Full, rich descriptions; click on bottle illustration for more information, including . . .
  • Technical wine data: Yes, also via downloadable PDF.
  • Purchase online: (5/5) Store is a catchall for wine, gifts, and events; minimal descriptions of wines with food-pairing notes; full wine information is found under ‘Wines’
  • Wine Club:  Yes
  • Contact: phone & e-mail.  Also Facebook, Twitter, YouTube, and BlogSpot.
  • Directions: Yes, text and Google map.
  • News/reviews link: No
  • Newsletter / Mailing List: Yes
  • Wine Blog: No, it has been eliminated.
  • Tours: Yes
  • Events / calendar: Yes; encourages large parties, weddings, meetings, etc.  Calendar shows upcoming events through Sept. 2013, including concerts, dinners, other.  Does not mention special viniculture class led by vineyard manager, Jim Thompson, held once a year.
  • Photo gallery: Ample, nicely presented; videos offered, but apparently disabled as of 4/9/2012
  • Website design: (4/5) Front page busy & unattractive, the rest of the pages use a minimalist design & are easy on the eyes; navigation is mostly straightforward; home page uses functional Table of Contents (with fake page numbers—a tad confusing)
  • General feature set: 8 of 10 (4/5)
  • Additional features: Strong emphasis on community involvement & charity support; also offers horse & carriage rides.  Videos offered, but no longer accessible.  Small zoo for children.Up-to-date: Yes

Martha Clara Vineyards

Comment:  Other than the opening page, an attractive site; however, to read about the wines involves using a display of pictures of wine bottles—to select click on the image to read about the wine; the media feature is, quirkily, not quotations or links from the press or reviewers, but rather, videos that are no longer accessible.

Mattebella Vineyards (3.3 3.6 out of 5)

  • Vineyard: Yes
  • Winery: No, PWG
  • Winemaker: No, PWG
  • Tasting Room: Yes
  • History / background: (1/5) No real information
  • About / Biographies: (2/5)  Just adequate
  • Vineyard / viniculture information: (5/5) Good, with emphasis on sustainability (member LISW)
  • Winemaker’s notes / wine description (5/5) Good, clear expression of philosophy
  • Technical wine data: No
  • Purchase online: (5/5) Excellent, with adequate wine descriptions and an interesting variety of purchase option
  • Wine Club:  Yes
  • Contact: Phone, e-mail
  • Directions: Option is not functional as of 5/4/13
  • News/reviews link: Yes, but usually cited without dates
  • Newsletter / Mailing List: Yes
  • Wine Blog: Yes, but not updated since 2009
  • Events / calendar: No, you can request information via a Gmail link.
  • Tours: No
  • Photo gallery: Yes, with many family pictures in all categories; e.g., Vineyard
  • Website design: (4/5) Attractive and easy to navigate, but a few too many mouse clicks needed here and there; some features are not yet active, such as a list of retailers and restaurants that offer the wines
  • General feature set: 6 of 10 (3/5)
  • Additional features: You can view the front & back labels of the wines, the only site that provides this
  • Up-to-date: The blog and some other sections seem to be spottily up to date.

Mattebella Vineyards

Comment:  In most respects a good winery site, but lack of detail, particularly the About and Background features, frustrates

McCall Vineyards (3.7 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No: Gilles Martin for Merlot @ PWG; Millbrook Winery for Pinot Noir
  • Tasting Room: Yes
  • History / background: (5/5) Complete
  • About / Biographies: (4/5) Bios are limited to McCall family members, no staff
  • Vineyard / viniculture information: (3/5) No parcel maps; general, brief notes on sustainability
  • Winemaker’s notes / wine description: (3/5) Tasting notes
  • Technical wine data: No
  • Purchase online: (4/5) Simple, direct, with tasting notes
  • Wine Club: Yes, 3 levels
  • Newsletter / Mailing List: No
  • Contact: Yes
  • Directions: Yes
  • News/reviews links: Yes; not all links work but otherwise it is up to date.
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: Yes; embedded in the page headers and then streamed
  • Website design: (4/5) Simple, attractive, easy to navigate
  • General feature set: 6 of 10 (3/5)
  • Additional features: Ranch: Charolais cattle; Conservation
  • Up-to-date: Yes

McCall Wines

Comment:  A very attractive site to visit, but it could offer more information

Medolla Vineyards (2.0 2.2 out of 5)

  • Vineyard: Yes
  • Winery: No, use Lenz
  • Winemaker: Yes, John Medolla with Eric Fry at Lenz
  • Tasting Room: No; Winemakers Studio; Empire State Cellars
  • History / background: (3/5) Family history, little else
  • About / Biographies: (1/5) Practically nothing
  • Vineyard / viniculture information: (1/5) Insignificant about either
  • Winemaker’s notes / wine description: (2/5) Minimal
  • Technical wine data: None
  • Purchase online: (n/a)
  • Wine Club: No
  • News/reviews link:  Yes
  • Newsletter / Mailing List:  No
  • Contact: Yes
  • Directions: No
  • News/reviews links: Yes; best source for further background on Medolla, but the most recent reviews date to
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: No
  • Website design: (3/5) Basic, clean pages, little offered, the home page greets one with mandolin music
  • General feature set: 6 of 10 (3/5)
  • Up-to-date: Unclear; was the 2007 the last wine Medolla made?
  • Additional features: None

Medolla Vineyards

Comment: Very basic website

Old Field Vineyards (2.5 2.8 out of 5)

  • Vineyard: Yes
  • Winery: No, use Lenz Winery
  • Winemaker: Roz  Baiz, with Eric Fry at Lenz Winery
  • Tasting Room: Yes
  • History / background: (4/5) Quite a bit of family/farm history
  • About / Biographies: (1/5) Very general information
  • Vineyard / viniculture information: (1/5) No details; though sustainable practices are used, no information is given
  • Winemaker’s notes / wine description: (4/5) No notes, but decent descriptions
  • Technical wine data: None
  • Purchase online: (4/5) Easy to use, notes are interesting but could provide more information
  • Wine Club: Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes; can use Google or Yahoo! maps
  • Newsletter / Mailing List:  Yes, but last newsletter dates to October 2010
  • News/reviews link: Yes, includes a few videos
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: No
  • Photo gallery: Yes, as part of each option; especially large for weddings section
  • Website design: (4/5) Attractive, easy to navigate
  • General feature set: 8 of 10 (4/5)
  • Additional features: Weddings; Newsletter (2005-2010)
  • Up-to-date: Yes

The Old Field

Comment: An attractively-designed site that could use more information about the vineyard and the winemaking; fuller biographies would be welcome too.

Onabay Vineyards (3.5 out of 5)

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No; consulting winemaker John Leo at PWG
  • Tasting Room: No
  • History / background: (3/5)
  • About / Biographies: (2/5) Some information, no biographies
  • Vineyard / viniculture information: (3/5) no vinicultural info; aerial photo
  • Winemaker’s notes / wine description (5/5) Very useful and complete
  • Technical wine data: Yes, can be downloaded
  • Purchase online: n/a; the wines are available from restaurants and retailers, for which there is a list
  • Wine Club / Subscription: No
  • Contact: Phone, e-mail via Gmail, snail mail
  • Directions: No, without a street address either
  • Newsletter / Mailing List: Yes to both, though I’ve not received a newsletter since I signed up months ago
  • News/reviews link: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: No
  • Website design: (5/5) Elegant, easy to use, conveys the seriousness of the owners
  • General feature set: 4 of 10 (2/5)
  • Additional features: None
  • Up-to-date: Yes, but a reverence to Steve Mudd as vineyard manager is no long valid; since 2012 it has been Bill Ackerman

Onabay Vineyards

Comment:  Beautiful website, needs to provide more information

One Woman’s Wines: (2.0 2.1 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Claudia Purita
  • Tasting Room: Yes
  • History / background: (2/5) Some personal background.
  • About / Biographies: (2/5) Some personal background
  • Vineyard / viniculture information: (1/5) passing mention
  • Winemaker’s notes / wine description (3/5) Adequate description, no notes
  • Technical wine data: No
  • Purchase online: (4/5) Yes, but one must first create an online account.
  • Wine Club:  Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Text
  • Newsletter / Mailing List: Yes, the newsletter is limited to visitor’s information and upcoming events
  • News/reviews link: Yes, but no dates are shown with the links; however, the most recent review was published in 2011
  • Wine Blog: No
  • Events / calendar: Yes, but limited info
  • Tours: No
  • Photo gallery: Yes
  • Website design: (4/5) Attractive and straightforward; navigation is easy.
  • General feature set: 4 of 10 (2/5)
  • Additional features: No
  • Up-to-date: probably, but not entirely clear if it is.

One Woman’s Wines

Comment: Basic website, but then, Claudia is a one-woman operation (plus her daughter who works in the office).

Osprey’s Dominion: (1.8/5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Adam Suprenant
  • Tasting Room: Yes
  • History / background: (0/5) Completely ignored.
  • About / Biographies: (0/5) Completely ignored
  • Vineyard / viniculture information: (0/5) none
  • Winemaker’s notes / wine description 2/5 Sometimes uses quotations from critics, but no notes
  • Technical wine data: No
  • Purchase online: (5/5) Excellent, the site’s major focus, to the detriment of other options
  • Wine Club:  Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, with map
  • Newsletter / Mailing List: Yes, but I’ve received nothing since signing up a year ago
  • News/reviews link: Yes, as part of the blog, Fishhawk News
  • Wine Blog: Yes, but little about viniculture or winemaking, not updated since April 2012
  • Events / calendar: Yes, focused on entertainment at the winery
  • Tours: No
  • Photo gallery: No
  • Website design: (3/5) Good, functional but not attractive; navigation is OK. (by Cro2)
  • General feature set: 5 of 10 (2.5/5)
  • Additional features: List of wine competition awards
  • Up-to-date: Up to 2012.

Ospreys Dominion

Comment: It’s apparent that this website was designed for other than informational purposes.

Palmer Vineyards: (3.0 1.0 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Miguel Martín
  • Tasting Room: Yes
  • History / background: (0/5) No longer, though it used to tell about the founder, Bob Palmer
  • About / Biographies: (0/5) No staff bios, but pictures of the staff
  • Vineyard / viniculture information: (0/5) Nothing
  • Winemaker’s notes / wine description 5/5 Excellent; some notes very complete
  • Technical wine data:  For some wines
  • Purchase online: (4/5) With the new makeover it is not presently functional (but it had been very good, easy to use, brief descriptions of wines).  Let’s hope that it will be as good as the former version (212)
  • Wine Club:  Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, via MapQuest
  • Newsletter / Mailing List: No
  • News/reviews link: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: Yes; also a video promo
  • Website design: (3/5) OK, easy to use and navigate, but many useful features and options have been eliminated [the site was created using Vistaprint, a do-it-yourself Website application; previously it had been done by Cro2, a professional site designer
  • General feature set: 5 of 10 (2/5)
  • Additional features: None
  • Up-to-date: Apparently, given that it’s a new design, but there is no datable information, though this should be corrected once the online-purchase feature is enabled.

Palmer Vineyards

Comment:  A brand-new look and feel, with the home page emphasizing “Live Music Every Weekend”; the site that feels incomplete and lacks the most basic information on the winery, vineyard, or staff.  A shame, but the site will be regularly revisited to see what it will become once completed.

 Paumanok Vineyards: (4.6 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Kareem Massoud
  • Tasting Room: Yes
  • History / background: (4/5) Very good
  • About / Biographies: (4/5) Very Good, no complete bios
  • Vineyard / viniculture information: (5/5) Excellent
  • Winemaker’s notes / wine description 5/5 Excellent; complete notes
  • Technical wine data: Yes, but only for their top red wines
  • Purchase online: (5/5) Excellent, full wine notes and reviews are quoted
  • Wine Club:  Yes
  • Contact:  phone, e-mail, snail mail
  • Directions: Yes, with GPS coordinates & MapQuest
  • Newsletter / Mailing List: Yes, issued regularly to announce wine dinners, reviews of their wines, and the occasional entertainment event
  • News/reviews link: Yes
  • Wine Blog: Yes, many interesting posts and links to articles, and it’s up to date.
  • Events / calendar: Yes
  • Tours: Yes
  • Photo gallery: No
  • Website design: (5/5) An attractive and well-organized site, easy to use (by Cro2)
  • General feature set: 9 of 10 (4.5/5)
  • Additional features: Quotes Walt Whitman on Paumanok’s name; lists all the restaurants and wine stores at which their wines can be found, as well as a full selection of lodgings in the East End, plus a helpful list of related wine Web sites
  • Up-to-date: Yes

Paumanok

Comment: An excellent site that needs just a little improvement in the History & About sections, including staff bios

Pellegrini Vineyards (4.2 4.3 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes
  • Tasting Room: Yes, Zander Hargrave
  • History / background: (5/5)
  • About / Biographies: (3/5) Lacks biographical information
  • Vineyard / viniculture information: (5/5) Full description of the vineyards; no parcel maps; useful notes on viniculture
  • Winemaker’s notes / wine description: (5/5) Adequate on the Tasting Notes option, but much more complete if one goes to the Trade Support option (2001 through 2008)
  • Technical wine data: Yes, but one has to use the Trade Support option to get to them.
  • Purchase online: (4/5) No wine descriptions accompany purchase options, so one has to go the Tasting Notes option to read them
  • Wine Club: Yes
  • Contact: Yes
  • Directions: Text & map
  • News/reviews link: Yes, excerpts only
  • Newsletter / Mailing List: Yes, but since signing up 13 months ago, I’ve not received a single newsletter
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: No
  • Photo gallery: No
  • Website design: (5/5) Very attractive, straightforward to use, though one has to dig through some options; Tasting Notes aren’t also viewable in Purchase section; full wine notes are accessible through Trade Support option
  • General feature set:6 of 10 (3/5)
  • Additional features: In Trade Support there are images of both the front and back labels of the wines.
  • Up-to-date: Yes, for events and tasting notes (up to the 2011 vintage); Trade Support info only goes up to the 2008 vintage, as was the case when the Web site was reviewed in May 2012.  There is no mention of the fact that Russell Hearn, the winemaker, recently left the winery.

Pellegrini Vineyards

Comment: An attractive and interesting site to use, but lack of biographies and unusual options can frustrate

Pindar Vineyards (3.2 out of 5)

  • Vineyard: Yes
  • Winery: Yes, Edward Lovaas
  • Winemaker: Yes
  • Tasting Room: Yes
  • History / background: (4/5) No history about the site pre-Pindar
  • About / Biographies: (5/5) Includes biographies of all staff, including the dog
  • Vineyard information: (1/5) Very little other than the background history
  • Viniculture: (3/5) Info included in the Green section, including sustainable practices; general, not just about the vineyard
  • Winemaker’s notes / wine description: (3/5) No notes, just description
  • Technical wine data: No
  • Purchase online: (4/5) Many choices besides wine; no additional wine descriptions
  • Wine Club: Yes
  • Contact: Yes
  • Directions: Yes
  • News/reviews link: Yes, but media all dates to 2005-2007; no updates since.
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: No
  • Photo gallery: No
  • Website design: (3/5) Attractive, but retrieving info can be complicated by unusual options, can require some digging around
  • General feature set:5 of 10 (2.5/5)
  • Additional features: Green, Making Wine with Wind, Pindar Giving
  • Up-to-date: Yes, but not news/reviews; Mother’s Day notice still up on 5/18/12

Pindar.net

Comment:  Excellent background and history, but could use more information about viniculture and winemaking philosophies.

Pugliese Vineyards (1.7 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Peter Pugliese
  • Tasting Room: Yes
  • History / background: (1/5) Almost no information
  • About / Biographies: (1/5) Almost no information
  • Vineyard information: (1/5) Virtually no information
  • Viniculture: (0/5) No information
  • Winemaker’s notes / wine description: (2/5) Brief descriptions, food-pairing suggestions
  • Technical wine data: None
  • Purchase online: (4/5) Straightforward, suggests food pairings
  • Wine Club: Yes
  • Contact: Yes
  • Directions: No
  • News/reviews link: Awards list only
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: No
  • Website design: (4/5) Easy to use but limited features
  • General feature set:2 of 10 (1/5)
  • Additional features: Painted glassware
  • Up-to-date: Recent wines are listed up to 2011, but awards listed date back to 2001-2002

Pugliese Vineyards

Comment: The site is strictly devoted to selling the wine; otherwise there is little or no info.

Queens County Farm Museum Vineyard (1.8 out of 5)

  • Vineyard: Yes
  • Winery: No, PWG makes their wines
  • Winemaker: No, Russell Hearn @ PWG
  • Tasting Room: Yes
  • History / background: (3) A long history, briefly dispatched; no mention of vineyard
  • About / Biographies: (3) No bios
  • Vineyard / Viniculture information: (0) Nothing at all.
  • Winemaker’s notes / wine description: (0) Nada.
  • Technical wine data: No
  • Purchase online: (n/a)
  • Wine Club: No
  • Contact: Yes
  • Directions: Yes, text only
  • News/reviews link: Yes
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Tours: Yes
  • Events / calendar: Yes, up-to-date and covers 2013-14
  • Photo gallery: No
  • Website design: (3) Easy navigation but run-of-the-mill.
  • General feature set:4 of 10 (2/5)
  • Additional features: map of farm PDF, but vineyard is not apparent from the layout.
  • Up-to-date: Yes

Queens County Vineyard

Comment: Vines and wines are an afterthought on the website of this museum-farm operation.

Raphael Wine (4.1 out of 5 points)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Anthony Nappa
  • Tasting Room: Yes
  • History / background: (4/5)
  • About / Biographies: (3/5) No bios
  • Vineyard / viniculture information: (3/5) Minimal on vineyard, no maps; viniculture is mentioned under several options
  • Winemaker’s notes / wine description: (5/5) Complete with vintage information for each wine, though the comments are a bit self-promoting
  • Technical wine data: No
  • Purchase online: (5/5) Easy to use, full information on each wine by clicking its label
  • Wine Club: Yes
  • Contact: Yes
  • Directions: Yes
  • News/reviews link: No
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar:  Yes
  • Tours: Yes
  • Photo gallery: Yes
  • Website design: (5/5) Elegant, easy to use and navigate
  • General feature set:7 of 10 (3.5/5)
  • Additional features: None noted
  • Up-to-date: Yes

Raphael Wine

Comment:  A nice, clean design featuring an elevation drawing of the façade of the Raphael winery, it is notable in part for what it doesn’t have as well as what it does:  No quotations or links from the news media or reviewers.  It also lacks any biographical information on staff, and tells a visitor little about the vineyard.  One the other hand, it offers excellent wine notes.

 Red Fern Cellars (1.8 out of 5)

  • Vineyard: No
  • Winery:  Yes
  • Winemaker: Yes, Aaron Munk
  • Tasting Room: No
  • History / background: (0/5) No
  • About / Biographies: (0/5) No
  • Vineyard / Viniculture information: (n/a)
  • Winemaker’s notes / wine description: (4/5) No notes, ample descriptions
  • Technical wine data: No
  • Purchase online: (n/a) e-mail or phone orders only
  • Wine Club: Yes
  • Contact:  only by snail mail or e-mail; no phone listed
  • Directions: No; visits must be arranged in advance
  • News/reviews link: ; link to WineLoversPage.com; Jewish Week (2008, though it reviews 2005 wines)
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: Yes
  • Website design: (3/5) Adequate and straightforward, but few options
  • General feature set:4 of 10 (2/5)
  • Additional features: LI Wine links; option for custom labeling
  • Up-to-date: No; it doesn’t appear to have been updated since 2008; latest wines listed are 2005; it hasn’t changed since last year’s assessment (2012)

Red Fern Cellars

Comment: Functional, but with minimal information; is it even up-to-date?

Red Hook Winery (1.4 out of 5)

  • Vineyard: No
  • Winery:  Yes
  • Winemaker: Yes, Abe Schoener, Robert Foley
  • Tasting Room:Yes
  • History / background: (1/5) Bare minimum to be useful
  • About / Biographies: (0/5) Minimal info, no bios
  • Vineyard / Viniculture information: (n/a) buy grapes from many sources
  • Winemaker’s notes / wine description: (0/5) No notes, descriptions
  • Technical wine data: No
  • Purchase online: (3/5) OK, but no information on the wines
  • Wine Club: No
  • Contact:  by phone, snail mail or e-mail
  • Directions: Address only
  • News/reviews link: No
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: Yes
  • Website design: (3/5) Adequate and straightforward, but few options
  • General feature set:1 of 10 (0.5/5)
  • Additional features: None
  • Up-to-date: Yes

Red Hook Winery

Comment: Functional, but with minimal information

Roanoke Vineyard (4.4 out of 5) [updated 11-16-13]

  • Vineyard: Yes
  • Winery: No
  • Winemaker: Roman Roth at Wölffer Estate
  • Tasting Room: Yes, both at the vineyard and on Love Lane in Mattituck
  • History / background: (5/5)
  • About / Biographies: (5/5) Good info and full bios of all staff
  • Vineyard / Viniculture information: (3/5) Little vineyard info or maps; though an adequate, brief note on viniculture (strange, given that the Owner, Rich Pisacano is a “vineyardist” and his father, Gabby, is the vineyard manager.)
  • Winemaker’s notes / wine description: (4/5) Brief, sometimes more complete, often less, and just a tad tongue-in-cheek in the self-promoting phrases; e.g., a ‘wild fermentation’ Chardonnay “Quite simply . . . leaps out of your glass!”’
  • Technical wine data: Yes, but some more, some less
  • Purchase online: (n/a) Order by phone, then arrange for pickup or delivery on one’s own.
  • Wine Club: Yes
  • Contact: Yes, phone, e-mail, snail mail
  • Directions: Yes, uses Google Maps
  • News/reviews link: Yes, via the option, ‘Judgment of Riverhead’
  • Newsletter / Mailing List: Yes, they are mostly about wines and tastings, often in cahoots with restaurants, some with themes, such as “how to be a Wine Snob”; issued weekly
  • Wine Blog: Of sorts (‘Judgment of Riverhead’ again) but informative, amusing, and well worth reading.
  • Events / calendar: Yes, and it’s all about wine, like the Smackdown tastings
  • Tours: No
  • Photo gallery: Not as such, but many pages are well-illustrated
  • Website design: (4/5) The opening page looks crowded but as a whole the site is easy to use and very functional.  Some features require a bit of clicking around.
  • General feature set:9 of 10 (4.5/5)
  • Additional features: Wine library, Winemakers’ Smackdowns
  • Up-to-date: Yes

Roanoke Vineyards

Comment:  A website that doesn’t take itself too seriously, but provides a good deal of serious information in a sometimes light-hearted way.  It is, in its way, rather endearing.  However, it’s a vineyard, so why is there not more information about the vineyard proper?

Sannino-Bella Vita Vineyard (2.5 3.4 out of 5 points)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Anthony Sannino; also with his vine-to-wine students
  • Tasting Room: Yes, at Ackerly Pond’s barn
  • History / background: (3/5) Adequate
  • About / Biographies: (5/5) Full bios
  • Vineyard / Viniculture information: (2/5) Little information, as a member of the LISW, it practices sustainable viniculture, but a nice video of the vineyard with pleasant musical accompaniment
  • Winemaker’s notes / wine description: (3/5) Descriptions with food-pairing suggestions
  • Technical wine data: No
  • Purchase online: (3/5) Yes, with brief wine descriptions
  • Wine Club: Yes, through vine-to-wine program
  • Contact: Yes, phone, e-mail, snail mail
  • Directions: Yes, with map
  • News/reviews link: Yes, this is where one can find more information about the wines.
  • Newsletter / Mailing List: Yes, but I’ve received none since I signed up a year ago
  • Wine Blog: Option is not functional
  • Events / calendar: Yes, including music, tours, and classes
  • Tours: Yes
  • Photo gallery: Yes, several that are thematically based
  • Website design: (3/5) Not unattractive but busy yet functional, though to find the video one needs to select the B&B option
  • General feature set: 9 of 10 (4.5/5)
  • Additional features: Bed-and-Breakfast (reservations can be made online); Vine-to-Wine experience; virtual tour of the vineyard and slide presentation of the Tuscan Suite guest house.
  • Up-to-date: Yes

Sannino Vineyard/Bella-Vita-Vineyard

Comment: website with focus on the Vine-to-Wine program; several interesting options but little about the vineyard; considerably improved over the version assessed last year.

Scarola Vineyards (3.6 3.9 points out of 5)

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No; uses Roman Roth at Wölffer Estate
  • Tasting Room: No, planned but not yet open to public
  • History / background: (5/5) Complete
  • About / Biographies: (5/5) Complete, with brief bio sketches of all the staff
  • Vineyard / Viniculture information: (1/5)
  • Winemaker’s notes / wine description: (5/5) Full notes and description at Trade option
  • Technical wine data: Yes, via For the Trade option
  • Purchase online: (4/5) Limited wine descriptions, with no direct link to the Trade option; order by phone, e-mail, or online
  • Wine Club: No
  • Contact: Phone, e-mail, snail mail
  • Directions: No, only the street address
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: Yes
  • Photo gallery: Yes
  • Website design: (4/5) Attractive enough, but there are some navigational challenges
  • General feature set:6 of 10 (3/5)
  • Additional features: link to Cedar House on Sound B&B, owned by Scarola family
  • Up-to-date: Yes

Scarola Vineyards

Comment: Strongly family-oriented and emphatically Italian.  Given that the Scarolas have a vineyard and no winery, it is frustrating to find that the site scrimps on vinicultural information yet has plenty to say about its wines (made Roman Roth).

Sherwood House Vineyards (3.6 points out of 5)

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No; Gilles Martin is the contract winemaker
  • Tasting Room: Yes
  • History / background: (5/5)
  • About / Biographies: (5/5), full biographies of the owners and Gilles Martin
  • Vineyard / Viniculture information: (1/5) Very little mentioned
  • Winemaker’s notes / wine description: (3/5)  no notes, pairing suggestions
  • Technical wine data: No
  • Purchase online: (4/5) Very easy to use, but limited wine information; wines sold online are available in a minimum of 2-bottle lots (or 4, 6, or 12)
  • Wine Club: Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, with MapQuest to the vineyards, tasting stand, and tasting room
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes, sent monthly
  • Wine Blog: No
  • Events / calendar: Yes, and up to date.
  • Tours: No
  • Photo gallery: Yes
  • Website design: (4/5) Elegant, very easy to navigate
  • General feature set:7 of 10 (3.5/5)
  • Additional features: Private events information
  • Up-to-date: Yes

Sherwood House Vineyards

Comment:  Very attractive site that tells too little about the vineyard or viniculture

Shinn Estate: (3.7 4.1 out of 5)

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Patrick Caserta
  • Tasting Room: Yes
  • History / background: (4/5) Yes, and blog fills some gaps
  • About / Biographies: (4/5) Bios of the owners
  • Vineyard / viniculture information: (4/5) Very good, but no maps, block info
  • Winemaker’s notes / wine description: (3/5) Adequate description with food-pairing suggestions
  • Technical wine data:  No
  • Purchase online: (4/5)  Yes, good wine descriptions, easy to use
  • Wine Club: No
  • Contact: Phone, e-mail, snail mail
  • Directions: Yes, and a Google photo map
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: Yes, fun and informative, regularly updated
  • Events / calendar: Yes; mostly about wine, but also features palm readings on Friday; dinners on occasional Saturdays
  • Tours: Yes
  • Photo gallery: Yes
  • Website design: (5/5) Excellent, very easy to navigate and use.
  • General feature set: 8 of 10 (4/5)
  • Additional features: B&B, Distillery
  • Up-to-date: Yes

Shinn Estate Vineyards

Comment: Newly redesigned website, much improved and easier to navigate than the old one; much useful information but short on tasting notes, which used to be much more complete and included technical notes as well.  That’s a loss.

Southold Farm + Cellar:

  • Vineyard: Yes
  • Winery: uses Raphael Winery facilities
  • Winemaker: not yet
  • Tasting Room: not yet
  • History / background: (2/5)  At present a brief story, with much hope for the future
  • About / Biographies: (2/5) owners don’t even mention their surnames
  • Vineyard / viniculture information: (n/a)
  • Winemaker’s notes / wine description: (n/a)
  • Technical wine data:  n/a
  • Purchase online: (n/a)
  • Wine Club: No
  • Contact: Phone, e-mail, snail mail
  • Directions: No
  • News/reviews link: No
  • Newsletter / Mailing List: Yes, but a newsletter may be a while off
  • Wine Blog: n/a
  • Events / calendar: n/a
  • Tours: No
  • Photo gallery: No
  • Website design: (n/a) Under development.
  • Additional features: No
  • Up-to-date: Yes

Southold Farm + Cellar

Comment: Brand-new site still under development., but it does tell the story of the renovation the farm building that will become its tasting room

Sparkling Pointe: Méthode Champenoise (3.7 3.9 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: No
  • Winemaker: No; Gilles Martin is the exclusive contract winemaker
  • Tasting Room: Yes
  • History / background: (5/5) told as a charming story
  • About / Biographies: (5/5) bios for owners and winemaker
  • Vineyard / Viniculture information: (1/5)
  • Winemaker’s notes / wine description: (5/5) Excellent
  • Technical wine data: Yes
  • Purchase online: (5/5) Well-designed, with direct access to wine info
  • Wine Club: Yes, but how to join is not clear as it is not available as an option
  • Contact: Phone, snail mail (can’t find e-mail option)
  • Directions: Yes, and a Google photo map
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes, issued weekly
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: Yes, but virtual tour feature doesn’t work
  • Photo gallery: Virtual tour of the VIP space isn’t functional
  • Website design: (3/5) Home page is rather busy; but generally is easy to navigate. Somewhat improved over version of 2012
  • General feature set: 8 of 10 (4/5)
  • Additional features: Weddings
  • Up-to-date: Yes

Sparkling Pointe

Comment: I find the design too forward and distracting.  Still, it has its good points: detailed information about important things such as its history, the biographies, notes; bad point: almost nothing about the vineyard or viniculture.

Suhru Wines (4.6 out of 5)

  • Vineyard: No
  • Winery: No; uses PWG, of which owner Russell Hearn is a partner
  • Winemaker: Yes, Russell Hearn
  • Tasting Room: Winemakers Studio
  • History / background: (5/5) Excellent
  • About / Biographies: (5/5) Bios of the owners and the sales manager
  • Vineyard / Viniculture information: (n/a)
  • Winemaker’s notes / wine description: (5/5)
  • Technical wine data: Yes, if one clicks on the Wine for the Trade option
  • Purchase online: (4/5) with full descriptions, but one must go to the Trade option to see the notes & tech information before purchasing
  • Wine Club: Yes
  • Contact: Phone, e-mail via Gmail, snail mail
  • Directions: n/a
  • News/reviews link: Yes, though not up to date
  • Newsletter / Mailing List: Yes, sent monthly
  • Wine Blog: No
  • Events / calendar: n/a
  • Tours: n/a
  • Photo gallery: No
  • Website design: (4/5) Well-designed and attractive, if rather busy, but mostly easy to navigate
  • General feature set: 5 of 7 (4/5)
  • Additional features: None
  • Up-to-date: Yes

Suhru Wines

Comment:  A really serious website. The focus is entirely on the wine.  Premises are not open to the public.

T’Jara Vineyards (4.1 out of 5)

  • Vineyard: Yes
  • Winery: No; uses PWG, of which owner Russell Hearn is a partner
  • Winemaker: Yes, Russell Hearn in cahoots with Jed Beitler, co-owner
  • Tasting Room: Winemakers Studio
  • History / background: (5/5) Excellent, via a 12-page PDF
  • About / Biographies: (5/5) Very complete with a curious omission:  the owner’s last names aren’t mentioned, but they can be found in the contact information.
  • Vineyard / Viniculture information: (2/5)  Some excellent description, including a parcel map, but no mention of practices
  • Winemaker’s notes / wine description: (5/5)
  • Technical wine data: Yes
  • Purchase online: (4/5) It would be nice if it would allow one to click and see the notes & tech information before purchasing; 3-bottle minimum
  • Wine Club: No
  • Contact: Phone, e-mail, snail mail
  • Directions: No, but there is an address
  • News/reviews link: Yes
  • Newsletter / Mailing List: No
  • Wine Blog: No
  • Events / calendar: No
  • Tours: No
  • Photo gallery: No
  • Website design: (5/5) Well-designed and attractive, easy to navigate
  • General feature set: 5 of 10 (2.5/5)
  • Additional features: None
  • Up-to-date: Yes, for the wines, but the last news entry dates to 2012

T’Jara Vineyards

Comment:  A serious but engaging website. The focus is on the history and the wine.  Premises are not open to the public.

Vineyard 48

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes
  • Tasting Room: Yes
  • History / background: (1/5)
  • About / Biographies: (1/5)
  • Vineyard / Viniculture information: (1/5)
  • Winemaker’s notes / wine description: (3/5)
  • Technical wine data: No
  • Purchase online: (3/5)
  • Wine Club: No
  • Contact: Phone, e-mail, snail mail
  • Directions: Phone, e-mail, snail mail
  • News/reviews link: Yes
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes, all music
  • Tours: No
  • Photo gallery: No
  • Website design: (2/5) Some navigation choices are in very small text at the bottom of the page; not intuitive or easy to figure out
  • Additional features: Row of Vines Dedication, Weddings and Private parties
  • Up-to-date:

Vineyard 48

Comment: There are links for reviews if one does a search for it.  (It had been a minimalist approach to providing access—the focus was strongly centered on purchases and events.  Little information, even about the wine.)  NOTE:  online reviews tend to trash the place as a party venue out of control; other reviews extoll it as a party venue

Waters Crest (2.0 points out of 5)

  • Vineyard: No
  • Winery: Yes
  • Winemaker: Yes, Jim Waters
  • Tasting Room: Yes
  • History / background: (2/5) No history, a little background in About section
  • About / Biographies: (3/5) Good overview, but no bios per se
  • Vineyard / Viniculture information: (n/a)
  • Winemaker’s notes / wine description: (4/5) Good description but no notes
  • Technical wine data: No
  • Purchase online: (1/5) Apparently not, but perhaps through wine club; not clear; one has to fill out a PDF application and send it in
  • Wine Club: Yes
  • Contact: Phone, e-mail, snail mail
  • Directions: Only the street address
  • News/reviews link: Yes, but very limited
  • Newsletter / Mailing List: follow on Facebook
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: No
  • Photo gallery: No
  • Website design: (4/5) Attractive, mostly straightforward to use.
  • General feature set: 6 of 10 (3/5)
  • Additional features: Link to LI Wine Country Places to eat & stay.
  • Up-to-date: Yes, clearly indicated on each page.

Waters Crest Winery

Comment:  In some ways its functions can be frustrating, but this is the only website in this survey that gives a page’s most recent update

Winemakers Studio

Comment: see Anthony Nappa Wines, for they share a Website.

Wölffer Estate (4.7 4.9 out of 5)

As of January 2016 it has been substantially updated, but not yet reassessed.

  • Vineyard: Yes
  • Winery: Yes
  • Winemaker: Yes, Roman Roth
  • Tasting Room: Yes
  • History / background: (5/5)
  • About / Biographies: (5/5) Good biographies of all the staff
  • Vineyard / Viniculture information: (5/5) Mostly general observations, with focus on terroir; for viniculture info one needs to dig into the News feature, but as of 2013 there is now a link to the LISW Web site, which details the sustainable practices followed by Wölffer.
  • Winemaker’s notes / wine description: (5/5) Very complete and full
  • Technical wine data: Yes, very complete, one could not ask for more
  • Purchase online: (5/5) Full notes and descriptions immediately accessible to buyer, but not all wines are provided with notes &/or descriptions—an odd inconsistency; they also offer verjus and vinegar
  • Wine Club: Yes
  • Contact: Phone, fax, e-mail, snail mail
  • Directions: Yes, text with a painted map (not Google or MapQuest)
  • News/reviews link: Yes, though a 2013 review by Howard G. Goldberg has no link.
  • Newsletter / Mailing List: Yes
  • Wine Blog: No
  • Events / calendar: Yes
  • Tours: None appear to be offered
  • Photo gallery: Yes, on Flcker
  • Website design: (5/5) Newly updated, clean and attractive, mostly straightforward navigation, but why should one have to dig for the vinicultural information?
  • General feature set: 8 of 10 (4/5)
  • Additional features: Weddings & Private events, Wölffer Estate Stables
  • Up-to-date: Yes

Wölffer

Comment: One needs to dig a bit for some features.  Very complete information in many areas, but strangely lacking in details about the vineyard—no map, mention of acreage, etc.; read Wine & Vineyard and you then have a link to another page, The Vineyard & Winemaking, where one can find out about viniculture.  Some inconsistencies with regard to wine notes (very full for some wines, no information at all for others).

 

 

A Conversation with Louisa Thomas Hargrave

Louisa Thomas Hargrave is the doyenne of the Long Island wine business, having established the very first wine vineyard, Hargrave Vineyard, in 1973 with her (then) husband, Alex Hargrave.  They were true pioneers, determined to plant vinifera grapes where they had never successfully grown before, even in the face of well-meant advice against taking on such a risky venture.  Neither of them had ever farmed until they planted the vineyard.

At the time she was a recent college graduate, having gone to Harvard, earning her BA in Government at Smith, and thence to Simmons College to earn a MAT (Masters of Arts in Teaching).  But she and Alex had caught the wine bug, and became seriously interested in starting a vineyard and winery of their own, with the idea of producing quality wine from V. vinifera grapes in the styles of Bordeaux and Burgundy.  Consequently, Louisa next went to the University of Rochester to study Calculus and Chemistry, and further studied the latter at Stony Brook University with the idea that she could apply what she had learned to the making of wine.

Louisa & Alex Hargrave, 1975

Louisa & Alex Hargrave, 1975

After planting vines of Cabernet Sauvignon, Pinot Noir, and Sauvignon Blanc in the original 17-acre field of the old potato farm that had become Hargrave Vineyard, Louisa went to the Cornell Cooperative Extension program to earn a Certificate in Land Use Planning in 1974, an ongoing interest of hers as Suffolk County and New York State developed new laws and regulations that had an impact on her ability to farm.  By 1998 Louisa had been awarded a Doctor of Science, honoris causa, from Dowling College, in recognition of her contributions to viticulture in Long Island.

Between the very solid academic credentials that Louisa has earned over the years and the deep and long experience of establishing and maintaining a vineyard for twenty-six years, as well as making wine and running a successful winery, Louisa has perhaps the most sound credentials of anyone in the Long Island wine world.  Furthermore, after selling Hargrave Vineyard in 1999, when she and her husband agreed to separate, she went on to establish Winewise LLC, a consulting firm for the wine industry. She was director of the Stony Brook University Center for Wine, Food, and Culture from 2004 to 2009, and is continuing to work as a writer on the subject of wine, viticulture, and winemaking for various publications, including her own blog, www.vinglorious.com.

Louisa has also written a well-received memoir, The Vineyard: The Pleasures and Perils of Creating an American Family Winery (Viking/Penguin, 2003), about the joys and challenges of running a family winery and vineyard.  Earlier, in 1986, she had contributed an essay, “The History of Wine Grapes on Long Island,” to the Long Island Historical Journal.  Most recently she wrote about the terroir of Long Island in an article for Edible East End, “The Dirt Below our Feet.”

Louisa with wineGiven those credentials and that experience, I cannot think of a better-qualified person to speak to about some of the issues bearing on the viniculture of Long Island.  To meet Louisa is to encounter someone who is direct, forthcoming, very well-informed, and definitely opinionated.  She is petite, bespectacled, and wears her silver hair long.  She has no pretensions or airs, but she does not suffer fools.  Given her high profile in Long Island, she frequently has requests from schoolchildren or their parents for an interview so that they can write a paper for school.  Her response is simple:  “When you’ve read my book, The Vineyard, get back to me and we can talk.”  So far there have been no takers.

Fortunately for me, I had read The Vineyard, so that made getting my interview with Louisa that much easier.

Louisa initiated the conversation by making the point that there are two types of wineries in Long Island:  those that cater to the tourist trade and those that focus on making quality wines.  (Several do both, but most emphasize one or the other). Of the top quality wineries, she cited Bedell Cellars, Channing Daughters, Lenz Winery, Paumanok Vineyards, and Peconic Bay Vineyards.  Given that all of the Long Island wineries depend on retail sales for a major part of their income and nearly all have tasting rooms for the wine tourists who are a significant part of their business, I inferred from what she said that some of these wineries seek to attract tourists and tourist groups with large tasting rooms, provide access for buses, and offer space for parties, weddings, and so on.  While some of these are serious about their wines, such as McCall, The Old Field Vineyards, and Pellegrini, a handful is really focused on the tourist trade, perhaps to the detriment of the wines they make—good enough for the tourists, but certainly not world-class.

One way to judge a winery is by looking at their containers—the smaller the container, such as an oak cask (typically of 225 liters, the size of Bordeaux casks) the more serious is the winemaking, as it costs more time and work to manage.  Large containers tend to be used for large-scale production and do not allow for the blending of batches for refining the way the wine tastes and smells the way that small ones do.

She also made clear that there is a fundamental difference between vineyards that seek to grow the highest quality fruit possible by practicing ‘green harvesting,’ which means removing bunches of fruit in the middle of the growing season—sometimes as much as third to a half of the developing crop, in order to improve the quality of the fruit that remains.  The result, of course, is a smaller crop, but wines made from such fruit will be richer, more flavorful, more interesting.  This will not be true of vineyards that primarily grow and sell their wine grapes to wineries.  These vineyards seek to maximize their grape production, as they sell grapes by the ton and they would receive nearly the same price regardless of whether or not they practiced ‘green’ harvesting.  In this case, quantity trumps quality.

I had a few prepared questions for Louisa, to wit:

  • When you started your vineyard there was no concept of ‘sustainable’ viticulture, although ‘organic’ and Biodynamic agriculture was already being practiced in some places.  Was there a point at which you and Alex decided to move towards sustainable viniculture, and if so, how did you go about it?

“Ecology was very much a part of the vocabulary when we planted our vineyard, and we had stayed at an organic farm some years before.  Still, it was fungicides that made it possible for us to plant V. vinifera vines in our vineyard. Historically, those who had attempted to grow these European wine grapes had failed because they had no tools to combat the fungi and other pests indigenous to North America. We recognized that techniques like grafting and amendments like copper sulfate and other fungicides developed after 1870 now made it possible to successfully grow these plants that previously had not survived here. We also perceived that cold-sensitive vinifera might survive on the North Fork of Long Island, due to the moderating effects of the Gulf Stream and Peconic Bay, when they had failed to survive in the more continental climates of other parts of the east coast.

“We even planted some Pinot Noir and Sauvignon Blanc on their own roots, because the sandy soils of Long Island made it difficult for root pests (like Phylloxera) to establish themselves.  Nevertheless, we really didn’t want to use sprays except to the extent necessary.  Although we did use herbicides at times, when weeds became excessive, we always tried to control them mechanically (which usually meant hand-hoeing and weed pulling in areas that the side-hoe on the tractor could not reach). Late sprays before harvest can affect fermentation, so we did not use fungicides after mid-August.  The fact of the matter is that wrestling wine to the ground is very, very complex.

“We embraced the estate approach from the very beginning—in other words, our wines would be made only from the grapes that came from our vineyard, as is the case with Bordeaux chateau. In later years, we did purchase some fruit for our second label, Chardonette, in order to be able to offer a less-expensive, entry-level wine.

“Our wines were made with no residual sugars; malolactic fermentation was complete in all our wines, and we applied minimum sulfites—none at crush time—because we did not want to destroy the indigenous microflora.  The natural acid in wine, at a pH lower than 4.0, makes it impossible for bacteria harmful to people to survive, but some sulfites were needed during aging to protect the wines from yeast or bacteria that harm wine by creating vinegar or off-odors, especially after the malolactic fermentation, when the pH would rise to a less protective level, as high as 3.7 in Pinot Noir especially.

“I am interested in biodynamic techniques but have never practiced them. There are pros and cons to every agricultural practice. Recently, I visited a biodynamically-farmed vineyard in Champagne that was using horses to work the fields.  The idea was to avoid the hardpan that can develop after running a tractor over the vineyards many times and compacting the soil, as the hardpan that results is virtually impenetrable and can harm the nourishment of the vines.  However, the vintner who showed me the horses commented that, while using horses was good for the soil, it was not good for the horses—the soils were so dry that the horse could go lame. That, then, is not really a good option for sustainability.

“With respect to Biodynamic sprays I should point out that these need DEC [Department of Environmental Conservation] approval, as does anything that is applied to crops.  All must have a seal of approval and licensing from the DEC. DEC guidelines are not always clear and are subject to change without notice.  Because the DEC is funded by fines levied against farmers in violation of their guidelines, it behooves its inspectors to find violations and levy what can be very heavy fines.  It’s a real problem, and it has to be fixed by providing financing for it by New York State. In my memoir, I describe an untoward incident we had with the DEC that illustrates how this agency has, in the course of implementing laws intended to protect the environment, veered off course in a way that persecutes unwitting and well-intentioned farmers like ourselves.”

  • Looking back on how you went about establishing Hargrave Vineyards in 1973, how would you start up differently as a pioneer, given what you know now?  For example, would you plant Pinot Noir again, or something else?  What about preparation of the soil?

First, Louisa said, “I’d start with a south-facing slope, and then I’d use compost with biodynamic elements to maintain the vineyard.”  “You said ‘biodynamic’ but did you mean ‘organic?’”  “No, I said ‘biodynamic,’ meaning that the soil amendments would reflect the concept of the farm as a unified system of life forces, cycling between times of birth, growth, fruition, decay, and rebirth.”

We had discussed Biodynamics at some length, and Louisa said that she agreed with other viniculturalists, like Sam McCullough and Kareem Massoud, who think that some aspects of Biodynamics may actually work, though it may not need all the mystical components to be effective.  While she does believe that there can be something that could be called “energy” in wine, perhaps due to the level of acidity—it has to do with what makes the wine appealing, or exciting, or perhaps there’s something else to which people respond when they drink it.  Whether or not there is some kind of cosmic energy that comes from the planets and the stars, or that has to do with affinities between horns and earth or anything like that.  It may very well be that the biota that is in the compost teas is really healthy for the vines.  [As an aside, I would like to note that that this has not been borne out in any scientific tests that I know of, but it’s clear that even viticulturalists who would not seek to enter the Demeter program for Biodynamic Certification are open to the possibility that the compost teas have some efficacious attributes.]

Louisa further remarked that, “although growing and making wine from Pinot Noir proved to be most challenging, I would do it again.  I learned more from my efforts to ripen this “heartbreak grape” and to tame its hard tannins than from any other variety. Success with it is not assured, but when it comes, it makes extraordinarily wonderful wine on Long Island.

  • Do you think that the Cornell VineBalance program has made a real difference in the vinicultural practices in LI?  It doesn’t have many actual members—about six, I believe.

“The VineBalance program only has a few members because participation requires detailed record-keeping and a lot of paperwork, which are time-consuming and costly.  This doesn’t mean that VineBalance isn’t important to the rest of the vineyards.  It provides all kinds of guidance. Vineyard managers can and do take courses on sustainable viniculture, including pesticide use, which requires certification.  Cornell provides many seminars and brings experts from other regions here to discuss many aspects of viticulture, including organic interventions and sustainable practices.  So VineBalance, under the direction of Alice Wise at the Cornell Agricultural Extension station in Riverhead, does play a significant role in the viniculture of Long Island.”

Louisa concluded our conversation by saying, “Agriculture in Long Island must be kept alive, even if eventually grapes may have to give way to cabbages.  That’s fine, as long as the farms remain.”

With that remark, Louisa speaks in a way that is characteristic of her and her deep commitment not only to growing wine, but sustaining agriculture.  The East End is a beautiful area, and the North Fork still retains a quality of the bucolic and rural thanks to its working farms and vineyards.  The Hargraves sold development rights to their vineyard to the Suffolk County Land Trust years ago.  That is also part of her commitment.  Long Island owes her many thanks for all that she’s done and continues to do.

Viniculture in LI–Part III: The Old Field Vineyards

Based on an interview with Perry Weiss, and Rosamond and Christian Baiz, 12 May 2011

Upon arriving at the vineyard, which is just off the main road going through Southold, the old barns and house give little clue as to where to go, and there may be no one there to greet you.  Still, you approach the likeliest suspect, a low, long barn which, it turns out, has a sign reading “Tasting Room” near a kind of logo confected out of a ring of old wine corks encircling a painted tin rooster that hangs on the barn siding.  Still no one there and the tasting room was closed, because everyone is out in the fields pruning, removing vine suckers, or spraying the vines.  This is a very small family operation, and the day I arrive, by appointment for the interview, there is too much to be done to have someone greet me upon arrival.  It is, after all, mid-May, early for visitors but timely for the vineyard.

I phone Perry Weiss, the winemaker, on her cell and she arrives shortly from the vineyard.  She is direct, engaging, and very polite, the while giving me all the time I need to conduct my interview with her.  When done, she takes me into the fields to meet her mother, Rosamond Phelps Baiz, the vineyard manager, who is removing any suckers growing from the base of the vines with a gloved hand, nearly caressing each vine as she rubs the base in a careful but swift motion.  Then we go to the house, where I meet her father, Christian Baiz, the vineyard factotum, who is briefly on a break from spraying the vines to refill the machine.  In fact, Perry has taken over the duties of winemaker from Ros, who replaced Perry in the vineyard.  The truth of the matter in an operation so small is that everyone has to pitch in everywhere, so all three of them are jacks-of-all-trades.

This is wine-growing and wine-making writ small—a true family operation that is not sustained by deep pockets but rather by passion, enthusiasm, and caring about what they do.  It came into existence as a vineyard because the property has been in family hands since 1919.  The first vineyard was established in 1974 by Chris using cuttings of Chardonnay, Sauvignon Blanc, Semillon, Cabernet Sauvignon and Pinot Noir that they bought from Alex and Louisa Hargrave, who had themselves just started up their own vineyard the year before—the very first one on Long Island.  More Pinot Noir vines were added in 1985, and then Merlot and Cabernet Franc in 1997, just after Chris and Ros purchased the property from his family.  They had to pull up the Chardonnay when it became clear that it wasn’t doing well at the site.  In all they’ve now planted a total of twelve-and-a-half acres to vines, which produce about a thousand cases of wine every year.  At the time they acquired The Old Field, they were living in Bronxville, just north of New York City, and decided to make a go of running a vineyard and so moved permanently to Southold and the farm.

Like the Hargraves when they started, the Baiz family had little notion of how to run a vineyard and make wine, but they were determined not only to succeed in the vineyard but to make quality wine as well.  Also like their predecessors, they didn’t start with a large amount of capital.  Unlike them, however, they had the experience and knowledge of the Hargraves themselves to draw upon, as well as of other wineries and vineyards that had gone into business before they did, such as Bedell Cellars, Lenz Winery, Peconic Bay, and others.   Still, Ros had never driven a tractor, for example, and much had to be learned from scratch.

Now, they work as a team, though the one hired hand they’d once relied on was no longer available, as he was denied a visa to return to the US to work in the vineyard, though son Ryan does join in the work when he visits.  Working over twelve acres means nearly 12,000 vines that need to be tended, which is a great deal of work to be done manually.  There are six contiguous plots, including Sauvignon Blanc, Merlot, Cabernet Franc, and Pinot Noir.  Recently they also planted 250 vines of Sauvignon Blanc by the Bay to see how that will do.  For now, lacking significant wine-making capabilities, they make wine from their own grapes at the winery at Lenz Vineyards, where Perry works with master winemaker Eric Fry to create varietals with their own distinctive signature of the Old Field.

Unlike most other vineyards on the Island, The Old Field has had no need to adjust the acidity of the soil, for the site was—before English settlers purchased the land over 370 years ago—occupied for perhaps 500 years by a large Corchaug Indian village of about 170 huts.  The inhabitants evidently fished and harvested tons of shellfish every year (the field is right on Southold Bay).  The shells were cast in the field and over the years became part of the soil, making it rich in calcium and keeping the pH high at 6.8-7.1.  The vineyard also enjoys a high water table, so there is little need to irrigate, except for very new plantings.  This alone makes for a unique terroir.

In this bucolic setting there is a pond which is a source for frogs and insects, including dragonflies that are natural insect predators.  The space between the rows has cover crops of grasses and legumes, including clover and fescue, which also encourage a diversity of insects.  They have a wild-flower patch as well, which also promotes the presence of ‘good’ insects in the vineyard.  And then there are the red-tailed hawks, the great horned owls, and always the chickens.  Here, IPM seems to take care of itself.

Indeed, the commitment to sustainable viticulture also includes “hand-harvesting, hand leaf-pulling, hand pruning” and so on, “which keeps the tractor out of the field, lessening soil compaction and diesel usage.”  They also flail-chop vine prunings, thus adding mulch back to the soil.  They use a tractor only to handle needs that cannot (or ought not) to be done manually.  For instance, they employ organically-approved sprays where possible, delivered by a trailer-sprayer designed to focus  on specific parts of the vine, as they cannot afford the far more expensive and effective tunnel-recycling sprayers used by more affluent vineyards.  (Therefore, as drift is inevitably a factor under windy conditions, they also try to confine spraying to windless days.)

Old Field Vineyard is an enthusiastic participant in the Cornell University VineBalance Program, and do not mind that they are regularly checked on to ensure that they are in compliance, which is what is required of those vineyards that participate in the program.  They do not, however, at least at this time, think of converting the property to organic farming, though they will use organic viticulture where it is practicable for them.

One of the reasons that the Baiz family purchased the property in 1996 was to keep it from being developed.  The one thing that they will not do is sell the development rights to the fields as some other vineyards have done.  There is a problem with that, after all, insofar as land values have risen exponentially to the point that an acre of land can cost over $100,000 while the rights can fetch a few tens of thousands at best—in other words, they cannot afford to, though in principle they are in favor of a Land Trust.

Thus, this fifth-generation family on the Old Field is working to sustain the what is the second Long Island vineyard and its land for more generations to come, practicing sustainability, hand-harvesting their fruit, and producing wines red and white wines, including an unusual white that is made from Pinot Noir, two Chardonnays, a Cabernet Franc, and two Merlots, not to speak of a Blanc de Noir sparkler that had earned 90 points from the Wine Spectator.  It begins in the vineyard, along with a great deal of sweat.

For those who wish to see just what’s involved in farming sustainably, The Old Field Vineyards offers a Sustainable Agriculture Tour on Saturdays at 11:30am, as well as a Sustainable Agriculture Tour with Tasting and lunch on selected Saturdays.

The Old Field Vineyards

59600 Main Road
PO Box 726
Southold, NY 11971

Phone: (631) 765-0004
Email: livinifera@aol.com

Christian F. Baiz and Rosamond Phelps Baiz, Proprietors
Eric Fry, Master Winemaker
Christian F. Baiz, Tractor/Lawnmower operator
Rosamond Phelps Baiz, Assistant Vineyard Manager, Winemaker, Assistant Tasting Room Manager
Perry Weiss, Vineyard Manager/Tasting Room Manager/ Assistant Winemaker
Ryan Weiss, Grounds and Structures

The Old Field Vineyard website